Hawaiian Wedding

Hawaii Weddings - Packages and Sunset Tips Aloha it's January 25 2006 04:57 in Hawaii Sunrise is at: 7:05 AM Sunset is at: 6:15 PM Hawaii Wedding Packages - Sunset Wedding Package Add Hawaiian Lei's or Much More - $550.00 Hawaii Sunset Package Call toll free in U.S.A 1-866-832-8626 or 808-883-0876 Short Notice Booking? No problem Click Here to Receive Mailer. Click to see a few flowers Click Here to Reserve Sunset Click Here For Planning and FAQ's Aloha - My name is Kris Anderson, Photographer.I have been in the Hawaii Wedding business for over 15 years. I have always loved seeing how happy couples are to receive beautiful Hawaii wedding photographs and video. I know most couples who plan a Hawaii wedding would like to have an excellent chance to get a Romantic Sunset Photograph at the end of their Hawaii wedding. Sadly most locations won't have a sunset and most photographers don't know how to capture it on film correctly even if it did happen. New - There are many couples who come to Hawaii who think that the weather in Hawaii is always nice. Many advertisements offer a sunset wedding package even though the sunset is on the opposite side of the island. This is quite common on Kauai and Oahu. People just don't ask enough questions. Hawaii also gets rain all the time. I worked on Kauai for six years and have seen it rain on far too many weddings. The sunsets are almost never visible.Nearly 50% of Kauai weddings get rain. Hanalei gets so much rain you could have a very wet vacation. It can be very nice but you never know. Maui's free locations are usually very small and crowded. The last two times I was on Maui it rained in Wailea and Lahina. I have seen as many as 14 couples show up at the same beach for a wedding.Oahu is fun and has good shopping, I don't consider it a romantic place. Many couples sit in traffic on their wedding day. I know the best sunset wedding location in Hawaii - and it's free. The sunsets are the best in Hawaii all year. It's like a machine - almost every night. Up at Waikoloa, just 25 miles from Kailua Kona on The Big Island of Hawaii, the rainfall is about 6 inches a year. Very little rain and excellent hotels and activities.What a great combination . Other locations on Hawaii Island aren't nearly as nice. I know several of the very best Licensed Ministersin Hawaii and we are offering an unbeatable wedding package. You also can arrange for more flowers, champagne, music, cake etc. if you want.You can customize your ceremony or leave it us - I'll even do a Keep sake edited Wedding Video along with my Forty Print Photography Package (2 still camera shoot - negatives available at $45.00) .You can spend the money you save having fun together on your Hawaii Honeymoon. Plus you will have beautiful wedding photographs and video by Kris. No deposit is required if you are using one of the Licensed Ministers on my list. Just pay the $150.00 ministers fee to reserve your date. The ministers fee is usually sent direct after you make your selection. I like the fact that nearly every couple is in contact with their Licensed Minister / Wedding Officiate.I will hold your date on my wedding calendar if we have the minister booked. Note that $150.00 is deducted from the package price when the ministers fee is paid. Come back and view my site often. I have 1,000's of new photo's to publish. I will also include photo's of some very poor locations. Watch for new photo's at Hapuna, Holoholokai and Harbor Beaches. Also many more at A-Bay. We also have purchased another very expensive computer and more cameras recently. We can now do DVD whenever required. We produce photo CD's several times every week. The most important thing by far is fun professional photography, using the best film, cameras and processing. I have everything covered including the video. Weddings are so much fun in Hawaii - it's the best for wedding photography and ceremonies by the sea. The best location for weddings in Hawaii is here in Waikoloa. No one who wants great Photo's likes rain. Here in Waikoloa you have less than 2% chance of rain and 95% chance of a great sunset. We charge less than many other photographers who don't have the equipment or experience that I do. Within the last month, I spent $8,000 for two new still camera systems complementing my already number one system developed over 12 years for Hawaii Weddings. A very cool 3 chip Digital Sony captures your ceremony by the sea. Nikon, Sony and digital = a great Hawaii wedding - you won't be disapointed. I also do one or two Renewal Ceremonies every month - so romantic. Click Here to Receive Mailer. Click Here to Reserve Sunset Sunset Package Wonderful Licensed Minister 40 Print Photography Package Medium Format Available* Hasselblad and Nikon Cameras Newest Digital Cameras Professional Film Negatives Available at $45.00 Unlimited Digital + B&W Video - Sony 3 CCD Digital Tripod and Pro mic Keepsake Edit with Music Protective Case DV to Pro VHS 100% Backup Equipment Hawaiian Lei's optional Choose your Lei's/Flowers $550.00 + Lei's Anderson Portraits Kris Anderson Fairway Terrace PO Box 384702 Waikoloa, Hi. 96738 Please Call (808) 883-0876 U.S.A. Toll Free 1-866-832-8626 Cell 808-989-1847 Unlimited Black and White Click Any Photo to Enlarge Home Page | Map Hawaii Weather | Anderson Portraits Reserve Wedding Package | Wedding of the Month Look at some Photo's | Hotels in Kona Marriage License | Old - Slide Show Reserve Sunset Package | Other Hawaii Sites SUNSET WEDDING MAILER New Delivery options and letters | Kona Weddings Video Hawaii Weddings Slide Show | Marriage License - Kona Weddings Kris Anderson, Photographer Last modified: 05-May-2004 Sunset time updated daily Email#1 - andersonportraits@yahoo.com - large paid account or #2 andersonphoto@hawaii.rr.com - my cable modem service PH: 808-883-0876 Fax:808-883-0473 Cell:808-989-1847 * I reserve the right to use my favorite cameras for any shoot - based on quality and lighting needs. I am shooting more digital - just like Pro Wedding Photographers all over America. To read the latest about digital wedding photography you can read the same stuff I do every week at: DigitalPhotographers.net One method that works for me is to have 3 cameras. One pro color film, one digital and one backup. This is a slow move to digital. Pro film is still nice with bright highlights - like sunset. Digital images are made availabe on your free web site. I am not substituting to save money on film, it's just that digital is so nice. Actually I am spending lots of money because of the additional cameras, flash and memory cards. Also digital creates endless hours on the computer, but I feel it's worth it now - with the new cameras available. I am always striving to be the very best I can. The prints from digital are made on the same pro photo paper at our lab - made to last 100 years. Digital has arrived and it requires photographers to be computer geeks. I have been editing digital video for years already. Another really great feature about having everything on CD is my ability to edit in some of the best images from the photo shoot when making wedding DVD's - really impressive. Recently we had some bad weather pass by Hawaii. The clouds turned really nice colors after sunset - very very low light and after sunset. With the digital camera I was ready to capture the moment. The scene lasted less than TWO MINUTES. The flexability of digital allowed me dial in the equivelent of ASA 800 film to capture another very special photograph for them - along with the pro film - it's an added benefit that doesn't take away from what I've been doing for many years. This flexability (changing film speed in 10 seconds) is really wonderful. The other benefits of having everything on CD things like cropping and simple retouching at no charge. Also I can make an unlimited number of images. This is great for Photo Journalism style combined with the traditional. Also, if we have everything on CD, magazine style wedding album pages are possible in PhotoShop CS - really cool. Digital cannot be ignored and we are already a digital studio (video).Digital Video is way more complex than Digital Stills. Mention (email me) that you read this and I'll make a free automated website with photographs from your wedding. Available in 1 day. This is nice for family to see your wedding pictures on the net. Usually I email the password once the site is ready. Normally I will leave the site up for 60 days. Should family members want prints they can also order direct. Standard prints including simple retouching and custom cropping are just $10.00 + S/H. I can also host your wedding video on the web - ask for a quote. Video takes much longer to do for the web.

Hawaii

Freedom, Democide, War: Home Page Click Joy's face to go to the Joy Phim Democratic Peace Institute. Click me if you are interested in an alternative history series of six novels based on the democratic peace, all free pdf downloads Click AIRS to promoting a free world through the American International Relations Society Click the above cover to read the synopsis of the nonfiction book, Never Again: Ending War, Democide, & Famine Through Democratic Freedom Available from Llumina Press or Amazon.com , or as a FREE pdf download . SEARCH Search the web, or the over 1,100 documents and 5,000 pages of text on this site. If needed, see help page. Match ANY Match ALL SITE INFORMATION Site map What books, articles, papers, and data are on this site? How is this site organized? A note on theme page notes . What's new? Why is this site credible? ABOUT RUMMEL Short Bio Curriculm Vitae DEMOCRATIC PEACE CLOCK The Democratic Peace has kicked in, global violence is decreasing, and it is thus the dawning of a new world. Click the clock to see more detail and the empirical evidence. Saving Lives, Enriching Life: Freedom as a Right, and a Moral Good was published in January 2001 only on this web site.It is the keystone of the ideas and findings hereregarding national poverty, famine, genocide and mass murder,and war. It should be the first stop for those who wish to study or survey this site's documents. Click above image. VISUALIZING DEMOCIDE TOLL See Investigations into Visualizing Democide , such as the: Rings of Tears DOCUDRAMAS For dramatic attempts to give human feeling to democide statistics and to characterize democidal events, such as China's Cultural Revolution, and Pol Pot's Cambodian Communist Revolution, click here . Dedicated to those who are not yet living in freedom, who suffer repression, regime-made famine, torture, gulags, and fear for their lives and those of their loved ones; and thanks to the internet, have reached this home page. Freedom, Democracy, Peace; Power, Democide, and War DEMOCRATIC PEACE BLOG Click the above image for Rummel's Democratic Peace blog to see current events in the glare of the struggle between freedom and power--between the democratic peace and a power that corrupts and kills. Includes 20 headlines selected continuously by keywords related to this website. Blogs posted daily, except for Sunday. For the archive of all the previous week's blogs, arranged topically, click here OCCASIONAL COMMENTARY ARCHIVE For an archive of website related commentary, click the above image. Current commentary is now posted on the above blog Power tends to corrupt, and absolute power corrupts absolutely. ----Lord Acton Power kills; absolute power kills absolutely. ----This Web Site Introduction It is true that democratic freedom is an engine of national and individual wealth and prosperity. Hardly known, however, is that freedom also saves millions of lives from famine, disease, war, collective violence, and democide (genocide and mass murder). That is, the more freedom, the greater the human security and the less the violence. Conversely, the more power governments have, the more human insecurity and violence. In short: to our realization that power impoverishes we must also add that power kills. Through theoretical analysis, historical case studies, empirical data, and quantitative analyses, this web site shows that: uote Freedom is a basic human right recognized by the United Nations and international treaties, and is the heart of social justice. Freedom is an engine of economic and human development, and scientific and technological advancement. Freedom ameliorates the problem of mass poverty. Free people do not suffer from and never have had famines, and by theory, should not. Freedom is therefore a solution to hunger and famine. Free people have the least internal violence, turmoil, and political instability. Free people have virtually no government genocide and mass murder, and for good theoretical reasons. Freedom is therefore a solution to genocide and mass murder; the only practical means of making sure that "Never again!" Free people do not make war on each other, and the greater the freedom within two nations, the less violence between them. Freedom is a method of nonviolence--the most peaceful nations are those whose people are free. The purpose of this web site, then, is to make as widely available as possible the theories, work, results, and data that empirically and historically, quantitatively and qualitatively, support these conclusions about freedom. This is to invite their use, replication, and critical evaluation, and thereby to advance our knowledge of and confidence in freedom--in liberal democracy. It is to foster freedom. Pray tell, my brother, Why do dictators kill and make war? Is it for glory; for things, for beliefs, for hatred, for power? Yes, but more, because they can. IMPORTANT NOTE: Among all the democide estimates appearing on this website,some have been revised upward. I have changed that for Mao's famine, 1958-1962, from zero to 38,000,000. And thus I have had to change the overall democide for the PRC (1928-1987) from 38,702,000 to 76,702,000. Details here. I have changed my estimate for colonial democide from 870,000 to an additional 50,000,000. Details here . Thus, the new world total: old total 1900-1999 = 174,000,000.New World total = 174,000,000 + 38,000,000 (new for China) + 50,000 (new for Colonies) = 262,000,000. Just to give perspective on this incredible murder by government, if all these bodies were laid head to toe, with the average height being 5', then they would circle the earth ten times. Also, this democide murdered 6 times more people than died in combat in all the foreign and internal wars of the century. Finally, given popular estimates of the dead in a major nuclear war, this total democide is as though such a war did occur, but with its dead spread over a century. Contact E-mail: click Tell your friends (separate addresses with a comma): You are the visitor. For visitor statistics since March 13, 2000, click the logo-link below. Last document addition: July 2005. See latest additions . Last site revision: December 2005 Return to top of page. Independence Institute Website

Hawaiian Jewelry 14kt Plumeria

Hawaiian Jewelry 14kt Plumeria Anklet (-) - PriceGrabber.com | | | Apparel Autos Babies & Kids Books & Magazines Computers Electronics Flowers & Gourmet Health & Beauty Home & Garden Jewelry & Watches Mortgages Movies Music Musical Instruments Office Photography Software Sporting Goods Toys Travel Video Games Popular Jewelry & Watches | Merchant Reviews | Merchant Coupons | Valentine's Day Guide All Products Autos Apparel Babies & Kids Books Computers Electronics Flowers & Gourmet Health & Beauty Home & Garden Jewelry & Watches Magazines Movies Music Musical Instruments Office Photography Software Sporting Goods Toys Video Games Jewelry & Watches > Body Jewelry > Anklets Save Product to Your List(s) | Set Price Alert Hawaiian Jewelry 14kt Plumeria Anklet Price Range: $159.95 from 1 Seller Description: 14kt Solid Gold Hawaiian Plumeria Bracelet with loster clasp. Total length is 9.25. The diameter of each plumeria flower is 5.5mm. There are over 30 flowers all around the anklet. Each plumeria has shinny diamond cut on it. Very nice detail.... Read More Description: 14kt Solid Gold Hawaiian Plumeria Bracelet with loster clasp. Total length is 9.25. The diameter of each plumeria flower is 5.5mm. There are over 30 flowers all around the anklet. Each plumeria has shinny diamond cut on it. Very nice detail on the entire anklet. If you are an anklet lover, this one you must have. Minimize User Reviews Not Rated Write a Review Compare Prices New (1 Seller for $159.95) Seller Price Tax & Shipping Availability Seller Rating Paradise Collection Merchant Info $159.95 (Enter Zip Code) In Stock Not Rated Write a Review Shipping costs are based on an estimate of UPS ground or equivalent carrier within the contiguous US, excluding Alaska and Hawaii Do you see a mistake? Do you see a mistake? Report a pricing error on the Hawaiian Jewelry 14kt Plumeria Anklet

Hawaiian Food - what

Metroblogging Hawaii: Hawaiian Food - what makes it sooo good? Olive Garden? Applebees? (10) Macaroni Grill (4) In the tradition of YO. (1) Shangri-la (3) Designer Body (4) :: January 2006 :: December 2005 :: November 2005 :: October 2005 :: September 2005 :: August 2005 :: July 2005 :: June 2005 :: May 2005 :: April 2005 :: March 2005 :: February 2005 :: January 2005 :: December 2004 :: November 2004 :: October 2004 Atom RSS 1.0 RSS 2.0 Full RSS 2.0 No Comments Bloglines MyFeedster MyYahoo! Kinja NetNewsWire NewsGator Online NewsMonster Radio SharpReader Shrook NewsIsFree Syndic8 Technorati It's not news, it's Fark! :: In Medias Res :: HawaiiStories.com :: Chalkdust :: Linkmeister :: My Wide Blue Seas :: ilind.net :: Bytemarks :: The Year of Coffee :: Mel's Internet Universe :: The Burning Road « In the tradition of YO. | Main | The Gas Cap » January 12, 2006 Hawaiian Food - what makes it sooo good? A girlfriend looking for catering for her May celebration - called inquiring about "ono" Hawaiian caterers. A rattled a few that I've experienced...Akau's Hui, Maruju Market, Haili's, Helena's...but it dawned on me that there is a great diaspora of "Hawaiian" caterers out there - with their fare ranging from traditionally prepared imu kalua pua'a...to the oven-roasted liquid smoke version. Both can be flavorful - but you can tell the difference. Not all squid luau, chicken long rice, or lomilomi salmon's are created equally either. So what makes it good? I think like wine - it's up to you. Depends what you like...what's your "ono" factor? Posted by Yvette at January 12, 2006 02:20 PM Send to a Friend | IM to a friend Comments Post a comment Name: Email Address: URL: Due to comment spam we can no longer accept URLs from blogspot. Remember personal info? Yes No Comments: Last 25 Entries The Gas Cap Hawaiian Food - what makes it sooo good? In the tradition of YO. Macaroni Grill Shangri-la Designer Body Does that come in womens? The "mini figure" craze Baci Bistro Happy Holidays! Christmas Eve at my auntie's Do I have a stalker? Better start saving for april - concerts! My Prayer For 2006 The Christmas Gift of Aloha. WiFi at Honolulu Airport The Flood? Keanu Reeves. Tokyo-Tokyo In cars, again... In cars Honolulu Transit Meeting The Papillon Car. The Briefcase Guys. Bistro Sun MetroBlogging is a division of Bode Media, Inc :: privacy policy :: terms of use :: some rights reserved --

Hawaiian Music - A

SURFING FOR LIFE -- Hawaiian Music & Hula Hawaiian Culture: 3 pages [ Previous page ] [ 1 ] [2 ] [ 3 ] [ Next page ] Hawaiian Music - A Brief History Hawaiian music is a unique blend of several early influences from abroad with ethnic Hawaiian chants. It has spawned the adaptation of guitar to several distinctly Hawaiian sounds and styles, notably slack key and steel guitar. This singular Hawaiian blend has given birth to such world-class musical talents as Gabby Pahinui, The Tau Moe Family, and The Sons of Hawai'i, who have all helped spread the Hawaiian sound and culture throughout the world. All of these great musicians are featured on the sound track of SURFING FOR LIFE which includes 17 songs of Hawaiian music. The general history of Hawaiian music begins in the mid 1800s, when visitors from all over the planet came by sea to Hawai'i, bringing with them instruments such as the violin, guitar, ukulele, piano, accordion and flute. Hawaiian music was rooted in old religious chants and hymns, which the native Hawaiians then mixed with the musical rhythms, sounds and instruments they heard from international visitors, immigrants and missionaries. Secular music was influenced by a variety of people including those of Mexican, Italian, German and Burmese descent. When early Mexican cowboys ( paniolo ), then still under Spanish rule, came to Hawai'i in the mid-1800s, they brought their guitars with them and taught the Hawaiians to play them in the Spanish style. The Hawaiians had innate musical talent and many became quite interested in the guitar. They largely followed the paniolo lead in guitar style and tuning. But, the Hawaiians soon adapted the tuning of the guitar to suit their own traditional Hawaiian songs and chants, loosening the guitar strings or "slacking" them. This allowed them to play bass on the loosened bass strings while playing a song's melody on the treble strings. They played a finger picking style with a steady rhythm to accompany singing and hula dancing. The slack key guitar method became so popular that families began developing their own unique styles and were very protective of their string tuning secrets. For this reason the slack key guitar style wasn't openly shared or taught within the islands for a considerable time. Ki ho' alu , or slack key has been called Hawai'i's back porch music, folk music and soul music. Its beautiful rhythms and magical way of capturing the aloha spirit are now taking international center stage. Slack key guitar -- melodious, intimate and relaxing -- is a sound now being sought the world over. Slack key festivals are popping up all over the Mainland and in many countries including Japan. Hawaiian music is also distinguished by its steel guitar style which was invented and developed in Hawai'i, largely by accident. In adapting the guitar to suit their own musical styles, Hawaiians often used a steel object and later a crafted steel bar to slide along the strings, producing a unique tone which was then integrated into the developing Hawaiian sound. The exact origins of the style and its technical inventor are widely debated; but three individuals -- Hoa, Davion and Kekuku -- may have discovered the technique independently of one another and are credited as its inventors. The steel guitar was featured in several Hawaiian bands in the early 1900s, as well as on some of the earliest recordings of Hawaiian music. Above, Hawaiian Youth, 1920 The popularization of Hawaiian music around the world began in the last quarter of the 19th century, mainly through the publishing of many of Queen Liliuokalani's songs in the United States. The early Royal Hawaiian Band played the first Hawaiian hit song, Aloha Oe , (composed by the Queen) in San Francisco in 1883. Hawaiian King Kalakaua, known as the Merry Monarch for his love of music and hula dancing, was also a skilled musician and prolific composer. Starting in 1915, the American populace was swept up in a craze over everything Hawaiian, prompted by the publicity over the traveling Hawaiian troubadours and their exotic and romantic island images. In particular, the Panama-Pacific International Exposition of 1915, taking place in San Francisco, served to introduce the unique Hawaiian sound to the world. Major recording and touring by Hawaiian bands began very shortly thereafter. Among the numerous musical influences on Hawaiian music as it evolved were gospel music, American pop such as Stephen Foster, country and western, ragtime, swing, European light opera, and jazz. The Hawaiian eclectic genius was to blend all of these international influences with their own sophisticated rhythms and guitar stylings, and to make the mix uniquely their own. After its introduction in the United States and Canada, Hawaiian music found its way to Europe during the early 1900s. The music combined slack-key and steel guitar with prominent use of the ukulele mixed with traditional Hawaiian chants and tones, The Mainland home of Hawaiian music in the '20 and '30s was the Lexington Hotel Lounge in New York, ruled by Hawaiian band leader Ray Kenney. There were many Hawaiian musical troupes touring the U.S. and Europe in the first three decades of the 20th century. One of the most popular, Jenny Wilson and her troupe of hula dancers, performed in Germany and throughout Europe. Prominent among the ambassadors of Hawaiian music in the 1920s and '30s was The Tau Moe Family which had considerable influence on the evolution of early Hawaiian music. Tau Moe, his wife and two children traveled the world in the 1920s and beyond, showcasing Hawaiian music and culture as "The Aloha Four". The group was one of the first to tour Europe during the Hawaiian cultural expansion, and for many years the family of four played in Europe, India and Asia. Queen Liliuokalani and King Kalakaua Tau Moe's life of music began as a child in Samoa. Travelling with his father, a Mormon missionary who set up churches and taught music, Tau learned his love of music from his father. When Tau was 11, his father moved the family to Hawai'i, and it was there that he was introduced to the musical styles he would grow to love and then showcase around the world. In Hawai'i, Tau Moe learned the steel guitar from M.K. Moke. He soon met another steel guitar player, Rose, who was to become his wife. The two joined a travelling show and began showcasing their musical talents. They couple had their first child, Lani, in Japan, and she too joined the family act that would come to be known, with the birth of son, Dorian, as the "Aloha Four." During the 1920s, Hawaiian music was sweeping the world with its own lilting and melodic sound. At the height of their popularity, Tau Moe and his family played for numerous world leaders in Germany, in Paris, Brussels and Japan, mesmerizing foreign audiences. They worked with a circus troupe, toured with the Josephine Baker show to Venice and played steel guitar music to an eager audience in Egypt. They also were profiled frequently in the press. The Tau Moe Family in 1970, Coutesy, Bishop Museum Years later, Tau and Rose retired, but not before leaving an indelible mark on the history of Hawaiian music, as one of the earliest musical forces to bring Hawaiian culture to international audiences. The Rounder Records CD, The Tau Moe Family with Bob Brozman, re-recorded many of the Tau Moe songs of the '20s and '30s with the original instrumentation. Two tracks from this CD, He Aloha No A Honolulu and Aloha Means I Love You , are on the sound track of SURFING FOR LIFE. Tau Moe Cover, Courtesy Rounder Records One of the greatest influences in spreading the gospel of Hawaiian music and steel guitar was the immensely popular radio program, Hawai'i Calls , rated the most popular program in radio history. Originating on July 3, 1935 from the Moana Hotel on Waikiki Beach, it featured the Harry Owens' dance orchestra with Webley Edwards as producer and Master of Ceremonies. The show's purpose was to showcase real Hawaiian music performed by Hawaiians in Hawai'i. A good portion of the songs were sung in English so mainlanders could recognize and learn to sing them. This created the hybrid style known as hapa-haole , Hawaiian music with English lyrics. At its peak in 1952, Hawai'i Calls was broadcast to 750 stations in the U.S., Canada, Latin America, Europe, Korea, Japan, South Africa, Australia and New Zealand. The show popularized a number of songs during its heyday including Sweet Leilani , The Hawaiian Wedding Song , and Little Brown Gal . The American craze over Hawaiian music began to fade in the late 1950s and '60s as other new music styles (especially rock and roll) took hold on the Mainland. But by the early '70s, Hawaiian music began to return to the mainstream and gained significant recognition and respect through the work of some of Hawaii's finest musicians, who spawned a revival of traditional Hawaiian music and also introduced newer styles. These great musicians, such as Gabby Pahinui, Eddie Kamae and The Sons of Hawai'i, have imprinted Hawaiian music on the world scene as much more than a trend. The music -- beautiful, distinctive and long-lasting -- represents the tonal and rhythmic expression of aloha. Hawai'i Calls Radio Performers, with Hilo Hattie in the Hat. Courtesy Hawai'i State Archive Charles Philip (Gabby) Pahinui was born in Honolulu in 1921. Hailed as "the folk hero of the Hawaiian music world," Gabby spent over 40 years playing in cafes, restaurants and nightclubs. Later, he spent another ten years focusing on studio albums and concerts. His long career created a large and extremely loyal following who regarded him as the quintessential Hawaiian musician and a revered representative of the Hawaiian people and culture. To many, Gabby Pahinui is synonymous with the resurgence of Hawaiian music. Interestingly, the great Hawaiian musician didn't like Hawaiian music as a boy. Growing up, Gabby was a fan of classic American jazz which greatly influenced his music over the years. As a boy, Gabby was a child musical genius. He was self-taught and never learned to read music. He learned to play the stand-up bass at age ten and started playing gigs as a child. Much to his parents dismay, he preferred to listen to his favorite jazz artists -- Benny Goodman, Duke Ellington, Lionel Hampton and others. Gabby learned to play many of the jazz harmonies of the time and especially liked "modern jazz." Although the influences of jazz are evident in Gabby's music, he was Hawaiian to the core. Gabby gained fame through his melding of jazz with traditional Hawaiian music and the slack key guitar. He first began playing slack key guitar in the early '40s and recorded Hi'ilawe , his first hit, in 1947. He learned his slack key from a Hawaiian musician named Herman, and has referred to him as the greatest slack key musician he had ever seen. Gabby picked up slack key guitar and made it his own, incorporating his favorite jazz rhythms and beats. Over the course of his lifetime, he was a major force in bringing slack key, previously a non-taught technique kept within the 'ohana or extended family, out into the open and to a very wide audience. Gabby Pahinui Gabby's amazing slack key talent overshadowed the fact that was also a highly skilled steel guitar player. In addition, his superb guitar playing was matched by his extraordinary vocal prowess. He had a lovely, unique falsetto voice that had enormous appeal to his audiences. Musical talent aside, Gabby was beloved by Hawaiians and musicians alike for his raucous personality, his infectious vitality and the way he put his soul into his music. It is often repeated that Gabby was unique in projecting a great power within his music. From the time he played his first gig, musicians have recognized in Gabby a distinct natural talent and the ability to live and breathe his music as a set of personal convictions. His talent was so impressive that it obscured his sometimes ostentatious behavior. As a young man, Gabby often infuriated club owners by his behavior during the gigs he played. He was continuously irresponsible, he had a drinking problem for years, and was a poor money manager. But he enjoyed a joyful and vivacious life that led him to be adored by almost everyone who met him. Club owners, no matter how annoyed they were by his behavior, could not dispute that Gabby had an incredible natural talent, even as a very young performer. Gabby's club circuit spanned almost 40 years during which he played with almost every important local musician -- Eddie Spencer, Andy Cummings, Tommy Carter, Joe Kaimi, George Kainapau, Gigi Royce, Alvin Isaacs, Eddie Kamae, David Nale, Fred Punahoa, and Abraham Maenwa. During the 1940s and '50s, Gabby spent a long time playing with Andy Cummings and his Hawaiian Serenaders. In the mid-sixties he began to concentrate on recording albums and concerts. In 1959, he joined Eddie Kamae in founding the highly influential group, The Sons of Hawai'i and continued to pursue solo slack-key guitar recordings. The Sons then recorded two great albums in the '60s. Gabby Pahinui on Left with Bandleader Andy Cummings at Far Right In 1971, Gabby recorded a blockbuster album with The Sons of Hawai'i on Panini Records. The album was released at an important point when Hawaiian music and culture were gaining momentum and its wide distribution put Gabby (and The Sons) right into the spotlight of the Hawaiian music renaissance. The two tracks from this milestone album on the SURFING FOR LIFE sound track are Ku'u Pete written by Irmgard F. Aluli and Mary Kawena Pukui and Hanohono Hawai'i . Gabby began playing more concerts, drawing larger crowds, the likes of which had only been seen at rock concerts. Gabby's contribution to the cultural renaissance of Hawaiian was enormous. After his last album with The Sons of Hawai'i, Gabby made an album of his own with his four sons called "Rabbit Island Music Festival." A few years later, he recorded "The Gabby Pahinui New Hawaiian Band" with mainland guitarist Ry Cooder who has said that Gabby was perhaps the finest guitar player he had ever met in his life. Gabby joined Cooder in recording another album, "Chicken Skin," notable for its worldwide release by Warner Brothers. In 1977, Gabby released another album, "Gabby Pahinui's Hawaiian Band, Vol 2" that was widely hailed as a milestone in Hawaiian music. The Sons of Hawai'i Cover In 1980, Gabby died at age 59. He had arrived home in the morning after staying out all night drinking and playing music with friends. He was playing golf with musician Andy Cummings when he collapsed on the 11th hole. The next day, all of Hawai'i mourned his death at Honolulu Hale. Musicians, fans and thousands of friends mourned this unique man who had changed the face of Hawaiian music. Gabby Pahinui has been the most important force in contemporary Hawaiian music to date. The Sons of Hawai'i, who recorded their first albun in 1962, represents a cross-section of Hawaii's greatest musicians. The group was formed by Gabby and Eddie Kamae, the islands finest ukelele player, and originally included David "Feet" Rogers on steel guitar, and Joe Marshall on bass. Each of these musicians brought with him a lifelong love of music and considerable musical expertise and experience. The group spent four months together collaborating, sharing their ideas, rehearsing and trying to develop a sound that would express a group identity. In 1960, the group's sound began to gain widespread popularity when they opened at The Sandbox in Honolulu and after the release of their first album in 1962. (Hula Records 503). The Sons of Hawai'i. Left to right: Joe Marshall, Dennis Kamakahi, Eddie Kamae, David "Feet" Rogers Despite its rapid success, the group would go through seven evolutions, as members came and went through the years with each new member bringing distinct musical sounds and talents to the group. Gabby and Joe Marshall played with other groups. The second incarnation of The Sons came together in the mid '60s, this time Kamae, Gabby, and Rogers welcomed new members-- Atta Isaacs, a slack key artist; Bobby Larson, and Norma Isaacs on Bass. Later, a third version of the group included Kamae, Marshall, Rogers, Sonny Chillingworth and Zulu. In 1970, the group reassembled to record another album, this time with Moe Keale, another ukulele player. This landmark album, The Sons of Hawai'i, was marked by a very distinctive sound, was wildly popular and is considered a classic. Between 1973 and 1982, The Sons underwent three more incarnations. In 1973, Dennis Kamakahi, a recognized Hawaiian singer and songwriter, joined in. Gabby did not take part. In 1977, Keale left the group, and in 1982 guitarists George Kuo and Raymond Balles joined forces. Rogers had fallen sick with Cancer. Since 1992, Kamae had divided his time between music and a career making documentary films focused on Hawaiian music and culture. But the group he founded and leads, The Sons of Hawai'i continues to perform their wonderful music and to ensure their lasting mark on Hawaiian music and the world. For over 40 years, The Sons have popularized the slack-key and steel guitar sounds and have creating many classic Hawaiian songs, an eloquent and beautiful tribute to the Hawaiian culture and language. Hawaiian musicians, notably Gabby Pahinui, Tao Moe, the Sons of Hawai'i, helped transform Hawaiian music and its unique styles from a music closely guarded by families (the 'ohana) to one which was openly shared by Hawaiians with the world. Styles that had been passed on from father to son were embraced on the Mainland when audiences were thrilled by Hawai'i's most talented musicians. Hawaiian musicians have also adapted other musical styles to fit into what is uniquely Hawaiian, continuing the eternal evolution of the music. The popularity of slack key and steel guitar has continued in recent years as an integral part of an island movement to explore and restore traditional Hawaiian culture to its people. Eddie Kamae One of the most lasting contributions that Hawaiian music has made to the world lies precisely in its adaptability and its openness to the influences of other styles of music. Just as early Hawaiians took foreign sounds and instruments and made them their own, Hawai'i's most famous musicians have also enjoyed the freedom to explore dissimilar musical influences and make a mark for themselves in musical history. Hawaiian music continues to be an evolutionary art form, a blend of old and new Hawai'i that has left its uniquely beautiful, melodious and heart-felt imprint on world music. Other Hawaiian Musicians, Record Companies Backyard Jam There are so many excellent Hawaiian musicans who deserve to be recognized in this history. Due to lack of space, we would simply like to thank and recognize the musicians whose music was featured on the sound track for SURFING FOR LIFE. The songs and musicians include Ku'u Kika Hahiki by Ozzie Kotani, Pu'u Anahula by Dennis Kamakahi, George Kuo and Cyril Pahinui of the Hawaiian Slack Key Band, Charmarita , Maunaloa Blues and Pahakulo by George Kuo, Kohala by Moses Kahumoku, Punahele by Ray Kane, and Kona Kai Opua , Haha Waipi'o , Nanca (NANEA) Ko Maka, He Aloha No O performed by The Malle Serenader (featuring Gabby Pahinui and "Feet" Rogers). Four record companies licensed this beautiful Hawaiian music for our use in SURFING FOR LIFE. Three of the labels have specialized in Hawaiian music, and we want to honor their work in recording and distributing so much fine music from the Islands of Aloha. Here are brief histories of Hula Records (now Hawai'i Calls), Panini Records and Dancing Cat Records. PANINI RECORDS, INC. Panini Records has been recording Hawaii's finest music for over 30 years. It was founded by Lawrence Brown, Witt Shingle, and Steve Siegfried in 1971. The Label's first release was the milestone record, The Sons of Hawai'i, which achieved enormous recognition and a large new audience for Hawaiian Music. Panini Records also recorded slack key guitar great Gabby Pahinui. The Label's second album, released in 1972, was made with Gabby Pahinui and entitled Gabby. The album featured Gabby, and his sons Bla, Phil, Cyril and Martin Pahinui in a focus on slack-key guitar and strong vocals. A year later, Gabby recorded Rabbit Island Music Festival with Panini, this time he and his sons were joined by Sonny Chillingworth, Leland Isaacs, and Randy Lorenzo. Panini released an album recorded by Pahinui in conjunction with Sunday Manoa, a group comprised of Peter Moon, Roland, and Robert Cazimero. The album, entitled Sunday Manoa 3 , featured the song Hawaiian Lullaby . In 1974, Panini released a live recording of some of Hawaii's greatest musicians at a concert in Waimea. The album featured Gabby, Sonny Chillingworth, Leland Isaacs, Genoa Keawe, Peter Moon, Roland, and Robert Cazimero. During 1975 Panini recorded the famous Gabby Pahinui Hawaiian Band with Gabby's group and Ry Cooder. The historic album produced was called the finest collection of Hawaiian music to date. The album, distributed worldwide through Warner Brothers, was highly successful. Panini recorded several albums of Peter Moon's music, notably Tropical Storm , an award winning album featuring Randy Lorenzo, Cyril Pahinui and Boddy Hall and including the hit song Island Love . Moon also recorded Malle , a more traditional arrangement of Hawaiian songs. Between 1982 and 1991, Panini was mostly inactive, emerging in 1991 to record The Pahinui Brothers album with Gabby Pahinui's sons. The album featured Ry Cooder, David Lindley and Jim Keltner and became a wonderful compilation of slack key, rock and country, and was distributed worldwide by BMG Music. Panini Records has continued to be an essential element in the distribution of classic, traditional Hawaiian music to the world HULA RECORDS Hula Records has the oldest and largest catalog of Hawaiian Music in the industry and has been dedicated to distributing Hawaiian music to the world since 1947. Founded by Donald McDiarmid, Sr. and carried on by son and grandson, the company is now named Hawai'i Calls Inc. for the first radio show of the same name broadcast in Waikiki in 1935. The first Hawai'i Calls show was created and hosted by Webley Edwards and showcased top Hawaiian musicians. At its peak, the show could be heard on over 700 radio stations in North America and internationally in New Zealand, Mexico, South America, and South Africa. The most popular radio show in history, it popularized a number of shows during its heyday including Sweet Leilani , The Hawaiian Wedding Song , and Little Brown Gal . Hawai'i Calls continues to promote Hawaiian music around the world, and distributes recordings of many of the musicians that have contributed to the SURFING FOR LIFE soundtrack. Among the great Hawaiian musicians recorded on the Hula Records label are: Gabby Pahinui, The Sunday Manoa, The Sons of Hawai'I, The Maile Serendaders, Mahi Beamer, The Kahauanu Lake Trio, Kawai Cockett, Geneo Keawe and Alfred Apaka DANCING CAT RECORDS Dancing Cat Records was founded in 1983 by pianist George Winston with the goal of promoting the music of those who had inspired him. After releasing some albums of his favorite musicians, he decided to focus instead on the music of the Hawaiian slack key guitar. Winston had been a student of the slack key guitar for over twenty years and became dedicated to preserving it. He focused Dancing Cat's resources on producing recordings of traditional slack key guitar masters, and then later, on younger players. Dancing Cat has been distributing Hawaiian music to the continental United States and the world ever since. Since its inception, Dancing Cat Records has produced 25 recordings in the ongoing Hawaiian Slack Key Guitar Masters series. Recorded guitarists include Sonny Chillingworth, Barney Isaacs, Ledward Kaapana, Moses Kahumoku, George Kahumoku, Leonard Kwan, Dennis Kamakahi, James Bla Pahinui, Ray Kane, and Cyril Pahinui among others. Dancing Cat Records has been successful in reaching a large number of people across the U.S. and around the world through artist interviews and recording reviews. Dancing Cat artists have appeared on The Today Show, The Disney Channel, ABC News in Philadelphia, Bay TV in San Francisco, NBC News in Seattle, and NPRs All Things Considered. Founder George Winston was also featured in a PBS concert special in December of 1996 in which he played a duet with Keola Beamer and Chet Atkins. Dancing Cat compiled a CD entitled The Language of Dreams devised solely to educate people across the country and the music industry in general about Hawaiian Music and the slack key guitar. The CD includes interviews with George Winston and Keola Beamer, Sonny Chillingworth, Ray Kane, Cyril Pahinui, and others and was aired promoted to over 1,300 radio stations across the country. Hawaiian Culture: 3 pages [ Previous page ] [ 1 ] [2 ] [ 3 ] [ Next page ] Ray Kane