Hawaii Volcanoes Photo Gallery
Hawaii Volcano Photo Gallery Pu`u `O`o - Kupaianaha Eruption of Kilauea Lava Pouring into the Sea at Kamoamoala You are here: About > Travel > Hawaii / South Pacific for Visitors Travel Go Hawaii Essentials Which Hawaiian Island Suits You Best? Clickable Map of the Hawaiian Islands Beach Guide Hawaii Pictures Clickable Map of Maui, Hawaii Topics A Hawaii Vacation Planner Big Island of Hawaii Kauai Maui / Molokai / Lanai Oahu / Honolulu / Waikiki South Pacific Culture, History & Language Hawaii Lodging Hula Luau Maps and Weather Pearl Harbor Photos, Video & Cams Recipes Shopping and Gifts Buyer's Guide Tastes of Paradise from Hilo Hattie HilHilo Hattie Dresses and Sarongs Multi-Day Guided Tours Top Hawaii Guidebooks Top Maui / Molokai / Lanai Guidebooks Forums Help FREE Newsletter Sign Up Now for the Hawaii / South Pacific for Visitors newsletter! See Online Courses Search Hawaii / South Pacific for Visitors Hawaii Volcanoes Photo Gallery Pu`u `O`o -Kupaianaha Eruption of Kilauea Volcano - March 12, 1993 Photograph by C. Heliker, USGS photo and caption credit U.S. Department of Interior, U.S. Geological Survey Lava pouringinto the sea built this fan-shaped delta and buried an archeological site andpopular campground at Kamoamoa in Hawai`i Volcanoes National Park. The deltaextends 300 m beyond the former shoreline. The Chain of Craters Road is visibleon both sides of the narrow flow field. priorphoto next photo Return to Hawaii Volcanoes Photo Gallery Index Return to Hawaii Photo Gallery Index Return to Hawaii for Visitors Home Page Recent Discussions My Favorite Restaurants are.... Hawaii Celebrities in the News Restaurants Subscribe to the Newsletter Name Email From John Fischer , Your Guide to Hawaii / South Pacific for Visitors . FREE Newsletter. Sign Up Now! 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Best Beaches 1999 Headlines Plumeria Photos from Hawaii Plumeria is the most common flower that you'll find in... You Won't See This Sign at Home! This certainly isn't a sign that you've ever seen near... Atlantis Submarine Tour Maui Since I had just experienced the Atlantis Submarine Tour on... Maui Swap Meet Photos Held every Saturday from 7:00 a.m. to noon is the... Hawaiian Quilting Journey: WeekMokihana’s Garden » Blog Archive » Mokihana’s Hawaiian Quilting Journey: Week Two Mokihana’s Garden A Mānoa Valley Wahine Writes of Past and Present « Mokihana’s Hawaiian Quilting Journey: Week One Mokihana’s Hawaiian Quilting Journey: Class! » Mokihana’s Hawaiian Quilting Journey: Week Two I thought I’d come out the winner this week. And I did, sorta. Eventually. I got my new fabric all washed and ready and started cutting. Unfortunately, I musta been half asleep at the time, because I cut it wrong and had to go back to the fabric store yet again! Sheesh! Fabric 6, Mokihana O. However, the next day I was much more successful, and got my applique piece all properly cut out - Mokihana 1, Fabric 6. The following day I cut out my background piece - Mokihana 2, Fabric 6 (I’m catching up!). I carefully unfolded my green ulu applique piece and voila! There it was, waiting for me to baste it onto the background fabric. I think I should get a point for that. K’den. Mokihana 3 - Fabric 6. Then, the next day of quiet basting with my friend, I got the whole pattern basted onto the background! Pau! Mokihana 4, Fabric 6. Now I am ready to start appliqueing the pattern to the background. And I fully expect to have my score keep climbing! This is turning out to be a very rewarding project for me. I feel very spiritually connected to it, feeling a real connection to Hawaiian women years and years before me designing and quilting their own works of art. I couldn’t make it out to The Gathering this week. I was buried with work and a very large truck with a cherry picker and shredder attached to it was parked in my long, narrow driveway while a crew from Portland General Electric trimmed branches from the firs, maples, alders and willows away from the power lines. I was very disappointed that I couldn’t get out; it would have been a lovely day. However, there is next week. And I have a quilt square ready to be appliqued. The colors are just what I wanted and I feel so good about starting this. It is a song to me, and I am loving the singing of it. This entry was posted on Thursday, July 17th, 2003 at 8:52 amand is filed under Hawaiian Quilting .You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response , or trackback from your own site. Leave a Reply Name (required) Mail (will not be published) (required) Website XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong> -- Mokihana’s Garden is proudly powered by WordPress Entries (RSS) and Comments (RSS) . Maui volcano has witnessedEast Maui volcano (Haleakala), Hawai`i [ TEXT ONLY ] Hualalai Lo`ihi East Maui, or Haleakala-- A Potentially Hazardous Volcano View east across Haleakala Crater, with young cinder cones in foreground. When asked about Hawaiian volcanoes, most people imagine the Island of Hawai`i and its eruptions at Kilauea or Mauna Loa volcanoes. But East Maui volcano has witnessed at least ten eruptions in thepast 1,000 years, and numerous eruptions have occurred there in the past 10,000 years. Thus, East Maui's long eruptive history and recent activity indicate that the volcano will erupt in the future. Haleakala National Park is the most visited part of East Maui. The Hawaiian name Hale-a-ka-la (lit., house of the sun), is now nearly synonymous with the entire shield of East Maui volcano. Early Hawaiians, however, applied the name only to the summit area, the site where the demigod Maui snared the sun and forced it to slow its journey across the sky. The oldest lava flow exposed on East Maui is about 1.1 million years in age. It is part of a sequence of flows emplaced near the end of shield building on East Maui. The time estimated to build a volcano from ocean floor to the end of its shield-building stage is thought by some scientists to be about 0.6 million years. East Maui volcano probably began its growth about 2.0 million years ago. Volcanism of the past 30,000 years on East Maui has been focused along the southwest and east rift zones. These two volcanic axes together form one gently curving arc that passes from La Perouse Bay (southwest flank of East Maui) through Haleakala Crater to Hana on the east flank. The alignment continues east beneath the ocean as Haleakala Ridge, one of the longest rift zones along the Hawaiian Islands volcanic chain. The on-land segment of this lengthy volcanic line of vents is the zone of greatest hazard for future lava flows and cindery ash. | Eruptive history | Haleakala Crater mapping | Geologic data sets | East Maui Facts Map of the Island of Maui Location 20.718 N 156.254 W Elev. Above Sea Level 3,055 m 10,023 ft Area 1,470 km 2 570 mi 2 (77% of Island of Maui) Volume about 30,000 km 3 7,200 mi 3 (97% of volume is below sea level) Most Recent Eruption Perhaps about A.D. 1790, but newly obtained radiocarbon ages suggest the most recent eruption probably occurred earlier, sometime between A.D. 1480 and 1600. (see Volcano Watch essay , September 9, 1999). Number of Historical Eruptions See recent eruption description above. Summit Crater A large topographic depression, Haleakala Crater, occupies the summit region of East Maui volcano. The crater is breached at its northwest and southeast corners by large valleys that drain to the north and south coasts, respectively. The crater originated by erosion, according to most published accounts and additionalrecent research. Dimensions: 3.5 x 12 km, elongate east-west Depth: 860 m Estimated age: formed between 120,000 and 150,000 years ago (see Volcano Watch essay , March 8, 2001) Oldest Dated Rocks About 1.1 million years Estimated Age of On-land Eruptions Numerous small lava flows in past 30,000 years; slopes of volcano mantled by lava flows 700,000 to 150,000 years in age. Estimated Age of Inception of East Maui Volcano About 2.0 million years ago Hawaiian Volcano Stage Postshield stage (see Volcano Watch essay , December 27, 2001 The URL of this page is http://hvo.wr.usgs.gov/volcanoes/haleakala/ Contact: hvowebmaster@usgs.gov Updated: 20 February 2003 (srb) Hawaiian Quilt," by LaurieHonolulu Star-Bulletin Features Advertisement - Click to support our sponsors. Thursday, February 17, 2000 Margaret Wood Margaret Wood found inspiration for this quilt in the jewelry of Hopi artist Charles Loloma. The quilt hangs against a black backdrop. Indians first made quilts with European patterns, but have since incorporated traditional tribal designs. Quilt show honors Native American tradition By Cynthia Oi Star-Bulletin WHY did primitive humans peck at rocks to form bowls, then take the time to decorate them with patterns and lines on the outside? Some, like Margaret Wood, believe such labor stems from the desire to create. So it is with Wood and other artists who have transformed utilitarian bedspreads into beauteous quilts that will be displayed at Bishop Museum. "To Honor and Comfort: Native Quilting Traditions" is a traveling exhibit of the Smithsonian Institution. It showcases 45 quilts by Indian and Hawaiian textile artists and quilting groups from across the United States. "Native quilting happened as the westward movement of Anglos happened," said Wood, a Navajo-Seminole who came to the islands to present a lecture and to help with the exhibit. "The lifestyle changed for Native Americans as they were conquered and subdued," Wood said, and as the animals whose hides traditionally served as blankets and clothing were killed off. At the same time, manufactured fabrics became available and Indian women began to learn to use them instead. By Ken Sakamoto, Star-Bulletin Margaret Wood poses with a mixed media quilt she calls "Hand." The dots are mother-of-pearl disks, which also decorate her dress. "The wives of military men and missionaries started giving the women sewing lessons at the forts and missions, and provided them with manufactured cotton and wool," she said. At first, Indians made quilts with European patterns, but over time, they began incorporating tribal designs that they had been using in beadwork or other media, Wood said. "For instance, the Odawa quilt, one of the oldest in the show, has the lone-star design, but the corners and the triangular areas are filled with a floral design that's common to the Odawa people. So the missionary design is combined with traditional tribal design." While there are fine examples of antique quilts made by European Americans, few native quilts have survived. Anglo women could afford to make quilts that were purely decorative, Wood said. "They tended to make a very special quilt out of satin and expensive fabrics and they would save them for an heirloom and they would only bring them out on Sunday when the preacher came to dinner. "But the native people lived much closer to the Earth. I believe there were many heirloom quality quilts made, but the native people didn't have the economics. If there was a bad winter and you weren't able to get the buffalo hides or deer hides for bed coverings, you couldn't hold on to that heirloom quilt. Your babies were cold." As quilts became part of the Indian household, different tribal groups gave the quilt different significance, she said. Not only were they items of comfort, they became gifts of honor. At an Indian school in South Dakota, for example, each member of the graduating class is presented with a quilt. Margaret Wood "Charlie Wood's Stoma Quilt" honors Margaret Wood's father, who had radiation therapy for throat cancer. The line border represents cigarettes, the hands, people who had helped him. "The mothers take it upon themselves to make sure that every graduate has a quilt draped on their chair when they come in for the ceremony," Wood said. If the child doesn't have a mother or a person who sews in the family, other mothers will make one for the graduate. "It's honoring them. It is a significant gift," she said. Hopi culture requires a naming ceremony for a new infant. As part of that, each female member of the baby's family presents the child with a naming quilt. "If the baby has a large family, the baby may be given 20 naming quilts. So you'll see pictures of this big pile of quilts around this tiny baby. But that's part of their culture now, part of their ceremony," Wood said. She became a member of the planning committee for the exhibit in the mid-1990s, but the idea for the show began more than a decade ago. Getting grant money, deciding the focus and parameters of the exhibit and putting together a well-researched companion book took much of the time. An Arizona native, Wood, 50, mother of two boys, has degrees in teaching and library science. She had a successful business selling contemporary clothing adapted from Indian designs when she took up quilting as a sideline. "I found that the quilts were a much more creative thing. There was less marketing and more creativity." In 1990, she switched the emphasis of her business, "and I'm really glad that I did. I'm having a lot of fun with quilts." Her pieces aren't for spreading across the mattress; she designs them to be hung on walls and each has a reason for being. One is called "Charlie Wood's Stoma Quilt," and honors her father. At the center of the quilt is a plastic mask that was used in her father's radiation therapy after he was diagnosed with throat cancer. "The doctor offered it to my father, but he didn't want it, so I took it," she said. Red and white borders representing the lighted cigarettes that caused the cancer surround imprints of hands. "They are helping hands, actual tracings from some of the people who helped him get back on his feet," she said. "Quilts all have stories." On Exhibit What: "To Honor and Comfort: Native Quilting Traditions" When : 9 a.m. to 5 p.m. Saturday through May 7 Where: Bishop Museum Admission: $7.95, $6.95 for children, seniors, military; includes all museum exhibits Information: 847-3511 Also: Museum staff quilt show, through May 7, Castle Memorial Building Also Lectures and workshops complement the exhibit. Lectures begin at 7:30 p.m. at Atherton Halau; cost is $5 each or $36 for the series. Information: 848-4144 or 848-4110. Here is the schedule: March 7 : "Hannah Baker and Her Legacy," by quilter and historian Elizabeth Akana March 11: Quilt pattern tracing workshop, Elizabeth Akana* March 14: "Meet Harriet Soong," who will discuss her work March 21: "Redwork Embroidery: The 'Other' Hawaiian Quilt," by Laurie Woodard March 25 : Redwork embroidery workshop, Elaine Zinn and Woodard* March 28: "History of Hawaiian Quilts," by Woodard April 4: "Inspirations for Hawaiian Quilts," by Lee Wild April 11: "Bishop Museum Quilt Treasures," by Betty Lou Kam April 18: "Native Plant & Animal Quilts," by entomologist Dean Jamieson April 25: "Quilt Care and Identification," by Woodard, Wild and Barbara Harger *Workshops run from 9 a.m. to noon at the museum's Paki Conference Room. Cost: $10 per workshop; reservations required. Click for online calendars and events. E-mail to Features Editor Text Site Directory: [News] [Business] [Features] [Sports] [Editorial] [Do It Electric!] [Classified Ads] [Search] [Subscribe] [Info] [Letter to Editor] [Stylebook] [Feedback] © 2000 Honolulu Star-Bulletin http://starbulletin.com Tropic HawaiianHawaiian Tropic After Sun Lotion : Read reviews and compare prices at Ciao.co.uk Join Ciao - Login - Help Appliances Books Cameras Cars Computers Electronics DVDs Music Phones Travel More Enter your search term in All categories -------------------- Cameras Cars Ciao Caf Computers DVDs Education & Careers Electronics Entertainment Family Finance Food & Wine Games Health & Beauty House & Garden Household Appliances Internet Music Office Equipment Shopping Software Sports & Outdoors Telecommunications Travel Home > Health & Beauty > Beauty > Sun > After Sun > Hawaiian Tropic After Sun Lotion Hawaiian Tropic After Sun Lotion Overall user rating: Rated by 1 Ciao member [...] This year, in a break from my usual Nivea spray, I ended up with Hawaiian Tropic.First impressions? 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