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Hawaiian Vacation and California Vacation are publications and trademarks of Media Insights, Inc. ©1997-2006 All Rights Reserved. Page views this month: 3392 Page views this year: 3392 Page views since 12/18/2003: 92151 Hawaiian Quilt," by LaurieHonolulu Star-Bulletin Features Advertisement - Click to support our sponsors. Thursday, February 17, 2000 Margaret Wood Margaret Wood found inspiration for this quilt in the jewelry of Hopi artist Charles Loloma. The quilt hangs against a black backdrop. Indians first made quilts with European patterns, but have since incorporated traditional tribal designs. Quilt show honors Native American tradition By Cynthia Oi Star-Bulletin WHY did primitive humans peck at rocks to form bowls, then take the time to decorate them with patterns and lines on the outside? Some, like Margaret Wood, believe such labor stems from the desire to create. So it is with Wood and other artists who have transformed utilitarian bedspreads into beauteous quilts that will be displayed at Bishop Museum. "To Honor and Comfort: Native Quilting Traditions" is a traveling exhibit of the Smithsonian Institution. It showcases 45 quilts by Indian and Hawaiian textile artists and quilting groups from across the United States. "Native quilting happened as the westward movement of Anglos happened," said Wood, a Navajo-Seminole who came to the islands to present a lecture and to help with the exhibit. "The lifestyle changed for Native Americans as they were conquered and subdued," Wood said, and as the animals whose hides traditionally served as blankets and clothing were killed off. At the same time, manufactured fabrics became available and Indian women began to learn to use them instead. By Ken Sakamoto, Star-Bulletin Margaret Wood poses with a mixed media quilt she calls "Hand." The dots are mother-of-pearl disks, which also decorate her dress. "The wives of military men and missionaries started giving the women sewing lessons at the forts and missions, and provided them with manufactured cotton and wool," she said. At first, Indians made quilts with European patterns, but over time, they began incorporating tribal designs that they had been using in beadwork or other media, Wood said. "For instance, the Odawa quilt, one of the oldest in the show, has the lone-star design, but the corners and the triangular areas are filled with a floral design that's common to the Odawa people. So the missionary design is combined with traditional tribal design." While there are fine examples of antique quilts made by European Americans, few native quilts have survived. Anglo women could afford to make quilts that were purely decorative, Wood said. "They tended to make a very special quilt out of satin and expensive fabrics and they would save them for an heirloom and they would only bring them out on Sunday when the preacher came to dinner. "But the native people lived much closer to the Earth. I believe there were many heirloom quality quilts made, but the native people didn't have the economics. If there was a bad winter and you weren't able to get the buffalo hides or deer hides for bed coverings, you couldn't hold on to that heirloom quilt. Your babies were cold." As quilts became part of the Indian household, different tribal groups gave the quilt different significance, she said. Not only were they items of comfort, they became gifts of honor. At an Indian school in South Dakota, for example, each member of the graduating class is presented with a quilt. Margaret Wood "Charlie Wood's Stoma Quilt" honors Margaret Wood's father, who had radiation therapy for throat cancer. The line border represents cigarettes, the hands, people who had helped him. "The mothers take it upon themselves to make sure that every graduate has a quilt draped on their chair when they come in for the ceremony," Wood said. If the child doesn't have a mother or a person who sews in the family, other mothers will make one for the graduate. "It's honoring them. It is a significant gift," she said. Hopi culture requires a naming ceremony for a new infant. As part of that, each female member of the baby's family presents the child with a naming quilt. "If the baby has a large family, the baby may be given 20 naming quilts. So you'll see pictures of this big pile of quilts around this tiny baby. But that's part of their culture now, part of their ceremony," Wood said. She became a member of the planning committee for the exhibit in the mid-1990s, but the idea for the show began more than a decade ago. Getting grant money, deciding the focus and parameters of the exhibit and putting together a well-researched companion book took much of the time. An Arizona native, Wood, 50, mother of two boys, has degrees in teaching and library science. She had a successful business selling contemporary clothing adapted from Indian designs when she took up quilting as a sideline. "I found that the quilts were a much more creative thing. There was less marketing and more creativity." In 1990, she switched the emphasis of her business, "and I'm really glad that I did. I'm having a lot of fun with quilts." Her pieces aren't for spreading across the mattress; she designs them to be hung on walls and each has a reason for being. One is called "Charlie Wood's Stoma Quilt," and honors her father. At the center of the quilt is a plastic mask that was used in her father's radiation therapy after he was diagnosed with throat cancer. "The doctor offered it to my father, but he didn't want it, so I took it," she said. Red and white borders representing the lighted cigarettes that caused the cancer surround imprints of hands. "They are helping hands, actual tracings from some of the people who helped him get back on his feet," she said. "Quilts all have stories." On Exhibit What: "To Honor and Comfort: Native Quilting Traditions" When : 9 a.m. to 5 p.m. Saturday through May 7 Where: Bishop Museum Admission: $7.95, $6.95 for children, seniors, military; includes all museum exhibits Information: 847-3511 Also: Museum staff quilt show, through May 7, Castle Memorial Building Also Lectures and workshops complement the exhibit. Lectures begin at 7:30 p.m. at Atherton Halau; cost is $5 each or $36 for the series. Information: 848-4144 or 848-4110. Here is the schedule: March 7 : "Hannah Baker and Her Legacy," by quilter and historian Elizabeth Akana March 11: Quilt pattern tracing workshop, Elizabeth Akana* March 14: "Meet Harriet Soong," who will discuss her work March 21: "Redwork Embroidery: The 'Other' Hawaiian Quilt," by Laurie Woodard March 25 : Redwork embroidery workshop, Elaine Zinn and Woodard* March 28: "History of Hawaiian Quilts," by Woodard April 4: "Inspirations for Hawaiian Quilts," by Lee Wild April 11: "Bishop Museum Quilt Treasures," by Betty Lou Kam April 18: "Native Plant & Animal Quilts," by entomologist Dean Jamieson April 25: "Quilt Care and Identification," by Woodard, Wild and Barbara Harger *Workshops run from 9 a.m. to noon at the museum's Paki Conference Room. Cost: $10 per workshop; reservations required. Click for online calendars and events. E-mail to Features Editor Text Site Directory: [News] [Business] [Features] [Sports] [Editorial] [Do It Electric!] [Classified Ads] [Search] [Subscribe] [Info] [Letter to Editor] [Stylebook] [Feedback] © 2000 Honolulu Star-Bulletin http://starbulletin.com Hawaiian Bed SpreadRe: RECLAIMING HALEAKALA, SPIRITUALLY AND CULTURALLY Re: RECLAIMING HALEAKALA, SPIRITUALLY AND CULTURALLY [ Follow Ups ] [ Post Followup ] [ Talk Story with Uncle Charlie ] [ FAQ ] Posted by Mia Kaina on January 04, 1998 at 01:19:48: In Reply to: RECLAIMING HALEAKALA, SPIRITUALLY AND CULTURALLY posted by Uncle Charle on December 03, 1997 at 03:17:02: : What a ceremony we had up at Haleakala this morning. The Honolulu Star Bulletin : (http://www.starbulletin.com/) had an article on the Ceremony. There was suppose to be over two : hundred people, but from early last evening it was pouring rain and windy. : When we gathered at the Upcountry Community Center at 1:30am. the wind was howling and it : was raining steady. At 2:00am. everyone gathered for pule and promptly at 2:30am. we left for : Haleakala. It kept raining and after entering the Haleakala National Park and passing through the : checkpoints, we arrived at the top, The visitor's center. For the first time in history, the parking lot : was closed and only Kanaka Maoli were permitted and others whoes children were in Hawaiian : programs. We all waited in the Buses and cars, until the right chants were performed and the : Ho'okupu (offerings) were given. This was at 3:40am. the temperature was 40 degrees and chill : factor was almost freezing. In fact the rain was crystallizing on the clothes. Again after the proper : chants were done, we entered the observatory. It was heated and everyone gathered. It was really : something to see. We had about 150 people dressed in "cold weather gear". For Hawaiians who : are not accustomed to the cold, had on thick socks for mittens, bed spreads, blankets and anything : they could find to keep themselves warm. I had announced on the radio it would be close to : freezing. : We started to perform dances outside right on the rim of Haleakala, chants to honor the Makahiki : Festival, the different gods and goddesses that reside there. It kept raining the wind was blowing but : everyone was engrossed in the ceremony. : We then had a kukakuka (talk story) session that was for me the high light of the ceremony. There : were more youths, from 20 years old to 3 year olds then there were adults. This was wonderful : because they represented the future. Everyone spoke the Kupuna (elders) and the opio (youth) and : the all reaffirmed their committment in taking back Haleakala for spiritual and cultural purposes. : They agreed that we have so many cultural resources but if we dont take care of it, we will loose it. : At 6:15am. the sun was chanted in E Ala E, and a new day appeared and a new committed by : Hawaiians in reaffirmation of the cultural roots on the rim of this very wet, very cold and very nani : (beautiful) mountain called Haleakala. Aloha Uncle Charlie. Uncle Charlie, I was up at Haleakala that morning with you. I find myself chanting E Ala E to the sun here in Lanikai, Kailua, Oahu. I enjoyed myself. I was happy to see Hawaiians taking back their land for practices they had practiced before. I am interested. What was the significance of 4am? Kainoa 'Opio Follow Ups: Post a Followup Name: E-Mail: Subject: Comments: : : What a ceremony we had up at Haleakala this morning. The Honolulu Star Bulletin: : (http://www.starbulletin.com/) had an article on the Ceremony. There was suppose to be over two: : hundred people, but from early last evening it was pouring rain and windy. : : When we gathered at the Upcountry Community Center at 1:30am. the wind was howling and it: : was raining steady. At 2:00am. everyone gathered for pule and promptly at 2:30am. we left for: : Haleakala. It kept raining and after entering the Haleakala National Park and passing through the: : checkpoints, we arrived at the top, The visitor's center. For the first time in history, the parking lot: : was closed and only Kanaka Maoli were permitted and others whoes children were in Hawaiian: : programs. We all waited in the Buses and cars, until the right chants were performed and the: : Ho'okupu (offerings) were given. This was at 3:40am. the temperature was 40 degrees and chill: : factor was almost freezing. In fact the rain was crystallizing on the clothes. Again after the proper: : chants were done, we entered the observatory. It was heated and everyone gathered. It was really: : something to see. We had about 150 people dressed in "cold weather gear". For Hawaiians who: : are not accustomed to the cold, had on thick socks for mittens, bed spreads, blankets and anything: : they could find to keep themselves warm. I had announced on the radio it would be close to: : freezing. : : We started to perform dances outside right on the rim of Haleakala, chants to honor the Makahiki: : Festival, the different gods and goddesses that reside there. It kept raining the wind was blowing but: : everyone was engrossed in the ceremony. : : We then had a kukakuka (talk story) session that was for me the high light of the ceremony. There: : were more youths, from 20 years old to 3 year olds then there were adults. This was wonderful: : because they represented the future. Everyone spoke the Kupuna (elders) and the opio (youth) and: : the all reaffirmed their committment in taking back Haleakala for spiritual and cultural purposes.: : They agreed that we have so many cultural resources but if we dont take care of it, we will loose it.: : At 6:15am. the sun was chanted in E Ala E, and a new day appeared and a new committed by: : Hawaiians in reaffirmation of the cultural roots on the rim of this very wet, very cold and very nani: : (beautiful) mountain called Haleakala. Aloha Uncle Charlie.: Uncle Charlie,: I was up at Haleakala that morning with you. : I find myself chanting E Ala E to the sun here : in Lanikai, Kailua, Oahu. I enjoyed myself. : I was happy to see Hawaiians taking back their : land for practices they had practiced before. I: am interested. What was the significance of 4am?: Kainoa 'Opio Optional Link URL: Link Title: Optional Image URL: [ Follow Ups ] [ Post Followup ] [ Talk Story with Uncle Charlie ] [ FAQ ] Waikiki Beach Center, KalakauaOahu : Walking Tours : Walking Tour 4 | Frommers.com Home > Destinations > North America > USA > Hawaii > Oahu > Walking Tours > Walking Tour 4 FREE Newsletters! Win a FREE Trip! This Island Entire Site Destinations Deals/News Bookstore M. Boards Oahu Introduction Planning a Trip For Foreign Visitors Hotels Restaurants Attractions Nightlife Shopping In Depth Walking Tours Walking Tour 1 Walking Tour 2 Walking Tour 3 Walking Tour 4 Active Pursuits Spectator Sports Oahu Maps Message Boards Index Email Print RSS Walking Tour 4 Walking Tour: Kapiolani Park Getting There: From Waikiki, walk toward Diamond Head on Kalakaua Avenue. If you are coming by car, the cheapest parking is metered street parking on Kalakaua Avenue adjacent to the park. TheBus: 19 or 20. Start: Waikiki Beach Center, Kalakaua Avenue, Diamond Head side of the Sheraton Moana Hotel, across the street from the Hyatt Regency and Uluniu Avenue. Finish: Kapiolani Beach Park. Time: 4 to 5 hours. Allow at least an hour each for walking around the park, wandering around the zoo, and exploring the aquarium, plus all the time you want for the beach. Best Time: Weekday mornings. On June 11, 1877, King Kamehameha Day, then-King David Kalakaua donated some 140 acres of land to the people of Hawaii for Hawaii's first park. He asked that the park be named after his beloved wife, Queen Kapiolani, and he celebrated the opening of this vast grassy area with a free concert and "high stakes" horse races (the king loved gambling) on the new horse-racing oval he had built below Diamond Head. The horse races, and the gambling that accompanied it, were eventually outlawed, but the park -- and the free concerts -- live on. Just a coconut's throw from the high-rise concrete jungle of Waikiki lies this 133-acre grassy park (the Paki playground and a fire station make up the remaining acreage) dotted with spreading banyans, huge monkeypod trees, blooming royal poincianas, and swaying ironwoods. Throughout the open spaces are jogging paths, tennis courts, soccer and cricket fields, and even an archery range. People come to the park to listen to music, watch ethnic dancing, exercise, enjoy team sports, take long meditative walks, picnic, buy art, smell the roses, and just relax. The park is the site of international kite-flying contests, the finishing line for the Honolulu marathon, and the home of yearly Scottish highland games, Hawaiian cultural festivals, and about a zillion barbecues and picnics every year. Start at the: 1. Waikiki Beach Center On the ocean side of Kalakaua Avenue, next to the Sheraton Moana Hotel, is a complex of restrooms, showers, surfboard lockers, rental concessions, and the Waikiki police substation. On the Diamond Head side of the police substation are the: 2. Wizard Stones or Healing Stones These four basalt boulders, which weigh several tons apiece and sit on a lava rock platform, are held sacred by the Hawaiian people. The story goes that sometime before the 15th century, four powerful healers from Moaulanuiakea, in the Society Islands, named Kapaemahu, Kahaloa, Kapuni, and Kihohi, lived in the Ulukoa area of Waikiki. After years of healing the people and the alii of Oahu, they wished to return home. They asked the people to erect four monuments made of bell stone, a basalt rock that was found in a Kaimuki quarry and that produced a bell-like ringing when struck. The healers spent a ceremonious month transferring their spiritual healing power, or mana, to the stones. The great mystery is how the boulders were transported from Kaimuki to the marshland near Kuhio Beach in Waikiki! Over time a bowling alley was built on the spot, and the stones got buried beneath the structure. After the bowling alley was torn down in the 1960s, tourists used the stones to eat lunch on or to drape their wet towels over. In 1997 the stones were once again given a place of prominence with the construction of a $75,000 shrine that includes the platform and a wrought-iron fence. Since then the stones have become something of a mecca for students and patients of traditional healing. Just west of the stones you'll find the: 3. Duke Kahanamoku Statue Here, cast in bronze, is Hawaii's most famous athlete, also known as the father of modern surfing. Duke (1890-1968) won Olympic swimming medals in 1912, 1920, 1924, and 1928. He was enshrined in both the Swimming Hall of Fame and the Surfing Hall of Fame. He also traveled around the world promoting surfing. Interestingly, when the city of Honolulu first erected the statue of this lifelong ocean athlete, they placed it with his back to the water. There was public outcry, because no one familiar with the ocean would ever stand with his back to it. To quell the outcry, the city moved the statue closer to the sidewalk. Continuing in the Diamond Head direction, you'll come to: 4. Kuhio Beach Park The two small swimming holes here are great, but heed the warning sign: watch out for holes. There actually are deep holes in the sandy bottom, and you may suddenly find yourself in very deep water. The best pool for swimming is the one on the Diamond Head end, but the water circulation is questionable -- there sometimes appears to be a layer of suntan lotion floating on the surface. If the waves are up, watch the Boogie boarders surf by the seawall. They ride toward the wall and at the last minute veer away with a swoosh. After watching the surfers, cross Kalakaua Avenue and walk mauka down Ohua Avenue; behind St. Augustine's Church you'll find the: 5. Father Damien Museum This small museum is a tribute to the priest who worked with the sufferers of leprosy on Molokai. A video of Father Damien and the leprosy colony is available for viewing here. The museum is open Monday through Friday from 9am to 3pm, and Saturday from 9am to noon; admission is free. Go back to Kalakaua Avenue and walk towards Diamond Head to the entrance of Kapiolani Park, where you'll see the: 6. Kapiolani Park Kiosk On the corner of Kalakaua and Kapahulu avenues, this small display stand contains brochures and actual photos of the park's history. It also carries information on upcoming events at the various sites within the park (Aquarium, Zoo, Waikiki Shell, and Kapiolani Bandstand). An informative map will help to orient you to the park grounds. Continue up Kapahulu Avenue to the entrance of the: 7. Honolulu Zoo The city's 42-acre zoo is open every day from 9am to 4:30pm, but the best time to go is as soon as the gates open -- the animals seem to be more active and it is a lot cooler than walking around at midday in the hot sun. Trace your steps back to Kapahulu and Kalakaua avenues and head mauka down Monsarrat Avenue to the: 8. Kapiolani Park Bandstand Once upon a time, from 1937 to 2002, the Kodak Hula Show presented the art of hula to visitors, with some 3,000 people fit into the bleachers around a grassy stage area every day. The Kodak Hula Show is gone now, but the Bandstand is still used for concerts and special events. Back on Monsarrat Avenue, on the fence facing the zoo, you'll find the: 9. Art Mart The Artists of Oahu Exhibit is the new official name of this display. Here, local artisans hang their artwork on a fence for the public to view and buy. Not only do you get to meet the artists, but you also have an opportunity to purchase their work at a considerable discount from the prices you'll see in galleries. Exhibits are Saturday, Sunday, and Wednesday, 10am to 4pm. Cross Monsarrat Avenue, and you'll see the: 10. Waikiki Shell This open-air amphitheater hosts numerous musical shows, from the Honolulu Symphony to traditional Hawaiian music. Continue walking down to the end of the block to the corner of Monsarrat and Paki avenues to the: 11. Queen Kapiolani Garden You'll see a range of hibiscus plants and dozens of varieties of roses, including the somewhat rare Hawaiian rose. The tranquil gardens are always open and are a great place to wander and relax. Across the street on a Wednesday morning, you'll find the: 12. People's Open Market Open from 10 to 11am on Wednesdays, the farmer's market with its open stalls is an excellent spot to buy fresh produce and flowers. After you make your purchases, continue in the Diamond Head direction down Paki Avenue to the: 13. Diamond Head Tennis Courts Located on the mauka side of Paki Avenue, the free City and County tennis courts are open for play during daylight hours 7 days a week. Tennis etiquette suggests that if someone is waiting for a court, limit your play to 45 minutes. After watching or playing, turn onto Kalakaua Avenue, and begin walking back toward Waikiki to: 14. Sans Souci Beach Located next to the New Otani Kaimana Beach Hotel, this is one of the best swimming beaches in Waikiki. The shallow reef, which is close to shore, keeps the waters calm. Farther out there is good snorkeling in the coral reef by the Kapua Channel. Facilities include outdoor showers and a lifeguard. After a brief swim, keep walking toward Waikiki until you come to the: 15. Natatorium This huge concrete structure next to the beach is both a memorial to the soldiers of World War I and a 100-meter saltwater swimming pool. Opened in 1927, when Honolulu had hopes of hosting the Olympics, the ornate swimming pool fell into disuse and disrepair after World War II, and was finally closed in 1979. The City and County of Honolulu just finished the first phase of renovation, a $4.4 million restoration of the outside arches to the building, construction of modern restrooms and showers and refurbishment of the bleacher seating. The next phase is an $11.5 million renovation of the salt-water swimming pool. After a brief stop here, continue on to the: 16. Waikiki Aquarium The Aquarium is located at 2777 Kalakaua Ave. Try not to miss this stop -- the tropical aquarium is worth a peek if only to see the only living chambered nautilus born in captivity. Your final stop is: 17. Kapiolani Beach Park Relax on the stretch of grassy lawn alongside the sandy beach, one of the best-kept secrets of Waikiki. This beach park is much less crowded than the beaches of Waikiki, plus it has adjacent grassy lawns, barbecue areas, picnic tables, restrooms, and showers. The swimming is good here year-round, a surfing spot known as "Public's," is offshore, and there's always a game going at the volleyball courts. The middle section of the beach park, in front of the pavilion, is known as Queen's Beach or Queen's Surf, and is popular with the gay community. Maps Walking Tour: Kapiolani Park Email Print RSS Source Frommer's Honolulu, Waikiki & Oahu, 8th Edition Author: Jeanette Foster Pub Date: November 07, 2005 Price: $16.99 Related Titles: Frommer's Hawaii 2006 Frommer's Hawaii from $80 a Day, 34th Edition Frommer's Hawaii from $80 a Day, 35th Edition Sponsored Links: What's This? Save on luxury travel auctions to the U.S.! Exclusive ski offers at Destination: Snow. 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