Hawaii Volcanoes National Park

Hawaii Volcano Adventure Tour at Mt Kilauea HAWAII VOLCANO ADVENTURE ".. a scene of wild beauty ..." "Mark Twain, 1866 FROM HILO Just as it was for Mark Twain over a century ago, this is truly the experience of a lifetime! We have designed this very special tour just for you... Continuing eruptions at Kilauea Volcano have captured the world's imagination. This excursion features the closest approach to the recent lava flows allowed by Civil Defense and local authorities. Our trained guides will escort you, and if conditions permit, you may be able to go right to the edge of a 2000 degree F molten lava flow! A real Polynesian Adventure! Hilo Area Macadamia Nut Factory (seasonal, and time permitting) Orchid & Anthurium Nursery Volcanoes National Park Volcano Observatory Jagger Museum Steam Bluffs & Crater Drive Thurston Lava Tube Volcano House Kilauea Iki Crater Departure : Hilo Hotels 9:00-9:15 am Hilo Airport 8:30 - 8:45 am Return to Hilo area approx: 5:00-6:00 pm Tour Prices: Adult $59.00 Child Under 12 $44.00 (All tours subject to state sales tax) No host lunch at Volcano House. We suggest a light sweater or jacket for the volcano area. As we cannot predict weather and volcanic activity, features may vary daily depending on conditions. Admission to Hawaii Volcanoes National Park included. Sturdy, covered walking shoes required due to terrain. All passengers will be required to sign a release of liability form before departing hotel. Polynesian AdventureTours Contact Your Travel Professional Or Call Toll Free 1-800-622-3011 e-mail sales@polyad.com

Hawaii Hotels Hawaii US

Discount Hotels - Hawaii Affiliate Program E-mail Us! Toll Free | 1-877-372-1115 Hotels By City.com Home Hotels Airfares Car Rentals Vacations Last Minute Deals Hot Rate Hotels Book By Phone Tell A Friend Bookmark Home > US Hotels > Hawaii Hotels Hawaii US Hotels Major Cities Other Cities Major Cities in Hawaii Honolulu Hotels Kailua Kona Hotels Kapaa Hotels Kihei Hotels Lahaina Hotels Poipu Hotels Waikoloa Hotels Other Hawaii cities Hawaii Destination Guide(s) Honolulu City Guide City: Check In: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Check Out: Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Advanced Search Submit Navigation Home Travel Forum Hotel Search how to book U.S. Hotels Canada Hotels Europe Hotels Austrailia Hotels International Hotels Hotels By Chain Disney Hotels Travel Tools Help Cancel Reservation Contact Us Privacy Policy City Guide Shows and Events News Letter Name: Email: Learn More Travel Tips Tip 1 - Book Early and Save. Booking early on Hotels is no different then booking early on Airfares. Sometimes you can save a lot of money by preplanning your trip and looking for the best rate in advance. Tip 2 - After you make a reservation you will receive a confirmation email. This email has valuable information like your confirmation number, and the Hotel's phone number. Print a copy of this email and take it along to confirm your reservation with the hotel. Tip 3 - If a hotel shows no availability it may mean that the hotel requires you to stay more then 2 nights. Try increasing the number of nights, you may find rooms are available. Tip 4 - Most of the time your credit card will not be billed until you check out of the hotel. Exceptions to this are the best rate guaranteed hotels which are prepaid to reserve the room. More Tips Home | Airfares | Car Rentals | Hot Rates | Last Minute Travel Deals | City Guides | Cancel Reservation | Help © Hotels By City.com 2005, All Rights Reserved

Hawaiian girl. 1.1 Race

Wikijunior/Kiki character - Meta Wikijunior/Kiki character From Meta < Wikijunior (Redirected from Wikijunior project Kiki character ) Jump to: navigation , search This page is about creating a recurrent character for the Wikijunior project. For actual designs, see: Wikijunior/Kiki character/Designs About Wikijunior: A while ago, the Beck Foundation approached the Wikimedia Foundation, inquiring about whether we would be able to use our resources to develop educational material for a younger audience. We responded that we would be interested in such a project, and that our materials can be adapted for children. A proposal was sent, and we received a small grant to develop the project (see October 16, 2004 board meeting ). Thus was born Wikijunior. For more information see the project's page: Wikijunior here on meta and the actual project being developped here on wikibooks. Contents 1 Hawaiian girl. 1.1 Race 1.2 Species 2 Is Kiki age appropriate? 3 Kiki is a nude model 3.1 How about Niki? 4 What about 2 characters? 5 Kiki Designs [ edit ] Hawaiian girl. Oooh, yea I like that idea! -- Solitude 09:07, 28 Oct 2004 (UTC) Me too. She should be a Hawaiian girl. This spelling is particlularly easy to remember. Theresa knott Ever heard of Dora the Explorer? Ludraman - talk to me! 14:32, 28 Oct 2004 (UTC) Dora is for preschoolers, and is a preschooler; this magazine is for "tweens", Kiki will be a tween/teen. Also, Dora is Hispanic. Granted, there is Lilo of Lilo and Stitch (www.liloandstitch.com), but as long as Kiki isn't too much of an outright non-conformist and/or short and pudgy, we'll be fine. We want to make sure she doesn't conform too much, so that we end up encouraging kids that's its great to be themselves. -- user:zanimum My point is that Dora is a girl who goes exploring with her audience for (semi) educational purposes. This is what our Kiki will be doing. I'm not a huge fan of the whole Kiki idea, though, as I think it works better for a younger audience, and might seem demeaning to tweens. Ludraman - talk to me! 18:58, 28 Oct 2004 (UTC) Unlike Dora, Kiki wouldn't be throughout. That would require the thing to be a comic, which is way too intensive, and not good for information. She could appear occasionally just to deliver facts to the slighty younger part of the audience (that way we don't have educational materials where tigers don't talk), or we could have a say six page adventure, unlike Dora, the characters would have personality, the plot wouldn't be as predictable structured, and the "fourth wall" wouldn't be broken. Plus, we should still consider it as an alternative title , even if not a character. -- user:zanimum Say, what if the main character is speaking animal (like monkeys, parrots, etc.) instead of girls? I think kids are more interested in animals than girls. 202.65.112.42 04:06, 30 Oct 2004 (UTC) Well that was kinda my idea when I did the Wikijunior draft page layout a tiger for the big cat look, an alien for the solar sytem book. But some topics don't easily lends themselves to an obvious character like that. In those cases a girl might be very helpful. Also have one character appearing maybe once on every book/magazine will add branding to them. Children will easily see that these are all part of one series even though the topics may be wildly different. Theresa knott 13:10, 30 Oct 2004 (UTC) We certainly could have her interact with the big cats, aliens, bugs, in a natural but possibly even humorous ways (not in the Dr. Doolittle or Eliza Doolittle [The Wild Thornberrys] way). We'd never try and stress girl-power or anything to that end, as it would only irrate boys. She'd just be a curious girl-next-door type. She wouldn't be nerdy or geeky, or too over eager. She wouldn't be girly, but not toy-boyish. She'd just be a generally likeable peer. And she could have friends that appear occasionally, that she met over the Internet. There's infinite possibilities. Also, should we break this off the main page, as it's rather besides the point of the magazine name. Kiki could appear in a magazine of any name at all. -- user:zanimum [ edit ] Race Theresa knott suggested Kiki be Hawaiian. While I like the fact there aren't any political or social grudges from any region against Hawaii, so much as I know. However, Hawaiian are unusual to draw; they can't have general cartoon eyes, as that removes the Polynesian heritage evidenced in their faces. But you can't give them eyes that easily, as they'd likely turn out as Oriental eyes. Any thoughts? -- user:zanimum Agree w/ Hawaiian. Fairly neutral, not often portrayed, and there is a good unbiased reason for it ( Wiki pedia -> Wiki wiki = Hawaiian for Fast-Fast). The actual drawing is but a minor detail. Yeah, I agree. Hawaiian fits pefectly, but i wonder how hard we will have to stop stereotypes from happening (grass skirt?). But i defidently agree with Hawaiian. -- Quadraxis 02:52, 1 Jul 2005 (UTC) [ edit ] Species I personaly think that an anthropomophic lizard/cat/alien/tiger/something not human, would be best. it would certainly appeal to me when i was a kid, more than a "boring" human. I personaly like the idea of a lizard, but maybe thats just me. The bellman 05:32, 9 Nov 2004 (UTC) She might be a little out of place, the only "furry" in watching an Aztec reinactment, whatever. Maybe leave it up to the first artist to establish it. I'm going to do a "casting call" on various major cartooning and animation boards, for designers to submit work in general as illustration, and possible Kiki designs. -- user:zanimum Also, it's not scientifically accurate to have talking animals. I would be in favor of an alien or computer/robot (foreign, accounts for NPOV, reasonably scientifically accurate) How about erwin (the mac cube) from userfriendly The bellman 02:06, 25 Nov 2004 (UTC) Could you point out a specific comic? And, if I know what you're talking about, I don't think many kids would know what a 1980s Apple Macintosh looked like. -- user:zanimum Um... Erwin's an SGI O2. He hates Macs. 82.138.216.118 17:47, 26 November 2005 (UTC) [ edit ] Is Kiki age appropriate? I have an intelligent 12-year old brother, and I am certain a Dora the Explorer-esque character or a talking animal would be extremely demeaning to smart kids of his age group. Why can't this project appeal to intelligent kids, as opposed to catering to the LCD? Andrevan 14:59, 10 Nov 2004 (UTC) She's more Mary Jane than Dora. I wish Dora was never brought up. One is a procedural show, this is more The Wild Thornberries meets Indiana Jones. It's just every few pages she appears for a half page segment, total of five maybe. -- user:zanimum If we're really aiming for a neutral-gender age 7-12 demographic, I think an exploring girl a la Eliza Thornberry or whoever you want to compare her to is not going to work - the concept is too patronizing and "kiddie." – Andre ( talk ) 21:34, 10 Nov 2004 (UTC) could i just add here that 7-12 is a massive demographic (a twelve year old is almost double that of a seven year old, and could often be in first year high school (in the aussie system at least)). IMHO we should be aiming for 9/10 year olds, while trying to make sure that we dont have anything so daggy that a 12 year old is gonna be completely turned off, or so high-fulutin' that a seven year old gets confused/bored. Also different cultures mature at different rates (i cite the movie city of god as a good a proof as any) The bellman 00:08, 11 Nov 2004 (UTC) Actually, the grant was for 8-11 year olds, but things got widened somewhere along the way. -- user:zanimum Agreed, having a cartoon character makes it seem cheesy and tilts it toward the littler side of the scale (full disclosure, I'm 15). That said, if used in moderation it wouldn't be so bad. Perhaps use her for intros to each major section and the book itself. Overuse of Kiki will make the books seem kiddie. If time and resources permit, selecting a few candidates and ask the real kids would be nice. I am still confused about the project's scope, but is this possibly or definitely international and multilingual publication? Tomos 11:00, 11 Nov 2004 (UTC) Yes, this is definetly international and multilingual. It's just taking long to get off the runway than expected. -- user:zanimum Actual children commenting: All of the kids here right now agree that it has to be someone smart, a smart character like "a scientist or a genius or a professor". (age 5,6,7,7,7,8,,11,12, and one 14 year old that says her vote shouldn't count) that's 8 kids that read all of this page, so they are kinda smart kids, one of them wanted to know what a demographic was, and there was some misunderstanding there, 2 of the kids thought it meant "the sample for the picture of the character" the others that knew said it was "what group of kids are supposed to read it" the kids are talking about what kind of scientist, seem to have reached the consensus that a good scientist would "know all different science stuff"... (so my personal thought is maybe she looks a little different in each segment, like with a microscope in one scene, test-tube in another, telescope as an astronomer, space suit for outer space , brushes and trowel for archaeology, etc.) (ok, none of the kids knew why a brush and trowel are for archaeology, they are reading over my shoulder.) Gonna let the kids get back to the computers... Pedant 19:58, 14 Nov 2004 (UTC) So basically, they're fine with the general concept of having a smart cartoon character in the magazine? I've got a slight revision to Kiki here, if you mind running this by them: Kiki is a smart and curious, and in each issue, she asks some of the questions in the book to an "expert", who tells her more about the subject. This change to her is so that she's smart, but she isn't a know-it-all, and with experts in it, we can maybe even get interviews with real experts on the topic. Imagine being able to interview Jane Goodall, and have her appear in a cartoon form? Anyway, enough excitement for me. I can maybe throw the Kiki concept past my Dad's younger art students, see if they mind her. Glad to hear the kids Pedant asked think she's okay. -- user:zanimum or a cartoon hawking, or Lula, or Neil Armstrong or or... the mind boggles. The bellman 01:58, 25 Nov 2004 (UTC) You know, I bet we could even convince Hawking's people (I'm sure he's got agents and stuff) to let us include him as a character, and interview him for real. He's appeared on Star Trek: TNG, why not this Wikijunior project? And, NASA's always looking for free PR. Why not? We could even get interviews with Luiz Inácio Lula da Silva and Lucio Gutiérrez about their jobs running Brazil and Ecuador, and have cartoon world leaders. -- user:zanimum This is IMO a very good idea - a leap from demeaning talking animals to our hawaiian friend interviewing real people for the magazine - maybe the grown-ups will be taking a peek at this... Ludraman - talk to me! 23:15, 25 Nov 2004 (UTC) Maybe have her curiosity lead her to a possible answer of a question presented by the information on the same page . This answer could be based on a basic version of the scientific method - which while plausible is incorrect. A scientist (or a friend of similar age) can them point out a problem with her reasoning, which leads them to a better answer; all of this on the same page . A scientist could point out how "obvious" ideas in the past turned out to be wrong after reviewing new evidence. She should of course not be made fun of for making a mistake in her reasoning, but encouraged to be sceptical and to "throw away" ideas that are shown to be incorrect. I don't know if this is too difficult, or too dull an approach for 8-11 year olds. Instead of always rewriting, we could use some questions kids ask after reading drafts and their ideas of what the answers are. We could also leave some questions unanswered, but point them to possible sources or ways to find out with a safe experiment. — Jeandré , 2005-03-19t13:20z I'm 15; a few years ago when I was in the target demographic, I would distrust books with cute annoying cartoon characters because they tend to cover up a lack of content. If it's a worthwhile source, and Kiki's humorous enough - not just bothersome "let's advertise to our mental picture of 'kids'" - then it might be acceptable. The cute character motif got trite by about 6. I know I'm above-average, but even considering that, don't expect a cartoon character to appeal to 10- and 11-year-olds just by being a cartoon character. Geoffrey 00:49, 3 Dec 2004 (UTC) Agreed completely. – Andre ( talk ) 18:24, 5 Dec 2004 (UTC) Yes, cartoons can be used to cover up a lack of content. But if handled right, they can illuminate concepts. I remember a grade 10 science text book. It had interviews with scientists that related to the study units. Frankly, you only saw them dorkily staring into the camera, as they told you about their jobs. I personally would have liked to seen what their work environment was like; hearing about the an observatory is one think, seeing it is another. This bridges that gap. We can show simplified visuals of the tools astronomers work with, and what they do. This isn't to say we can't also show photos, just that we have the option. -- user:zanimum Same here. Think "Clippy" from Microsoft Office and you've got how children view cartoon characters in text books. BiomechZero I, being 15 as well, disagree somewhat. Cartoon characters can be good if they are done well, and aren't demeaning to kids. The character can't be to much below them, and it helps if the character doesn't break the "fourth wall". I used to read the OWL Magazine, while i was 10-12, and the Mighty Mites (sciency cartoon characters that had a cartoon strip that helped kids learn about a topic, and would sometimes appear on other pages of the magazine) weren't demeaning, at least to me. In fact, they were the parts of the magazine i looked forewards the most to each month. I think that if it was well done, and had input from kids across the demographic, then it might be possible to create an interesting Kiki that won't be demeaning to kids. -- Quadraxis 03:19, 1 Jul 2005 (UTC) Ok, Lisa is here, she says she'll work on the project if I help her type, because as she says "I can think really fast but I can't type fast." I think she'll be one of the kids that decides to sign up for wikipedia accounts, after tha parents get a look at the project. Lisa is '10 and a half' and says Geoffrey is right, "just because it's a cartoon doesn't mean it can make kids interested in it" She says "kids are interested in everything! That's why we're kids!" ... "If she (Kiki) is really smart and really a kid, she would know what questions a kid would ask a scientist or expert" (I think that this might be a key point) "if a scientist is really good at teaching stuff, he knows how to explain it good enough for kids to understand, and she should be a kid that picks scientists who know how to teach, not just bla bla bla bla at kids"..."but not talk to us like we're dumb because we are kids" (she just mentioned that this seems like it's a project made by adults and that she doesn't think they will really listen to 'kids' ideas.) We're going to kick this idea around with the other kids, and write more later, when they are all here. For what it's worth, the students are at my house on most Tuesdays, as a big group, and on a few other days during the week depending on their school schedule. Only one of the children has ever attended school, so this might not be the most ideal focus group to depend on... more later this afternoon or evening Pedant 18:42, 7 Dec 2004 (UTC) Yeah, lets get some kids in here when we have some stuff, and let's "listen to 'kids' ideas"! I'll see if i can get my hands on some kids who would be interested. -- Quadraxis 03:19, 1 Jul 2005 (UTC) I don't think a single human character is the best idea- if they're a girl, then that might turn off male readers, while a boy is politically incorrect. I'd suggest: -have a boy and girl as recurring charactors or -have the charactor be of a nonexistant species (robot, ghost, AI, amorphous blob, etc.) Just my $0.02. -128 My two one-hundreths of a dollor, this might be a way to have someone/thing/s known to the readers lead in and out. 1 page of "Kiki" at the front as an intro to the topic (like, in one about astronomy she could say a little thing about distances or something?) and maybe an interviewer. the hardest part would be keeping personality strait, as this is writen in a wiki... (i am slow today, i just notaced Wiki is one letter off from Kiki!) -- KinkoBlast 00:16, 24 Feb 2005 (UTC) I suggest making it so that the Kiki appears on the first and last page. The first page as a bit of an intro, and then on the last page as an interview with a real scientist, maybe?-- Quadraxis 03:19, 1 Jul 2005 (UTC) Tossing in my cents - Kiki needs character. I'm weel past the demografic here, but I remember usually detesting the explanatory cartoon characters, unless they were interesting in themselves - only example I can think off is that show with the school bus that would go everywhere. If Kiki were a toally dull, stereotypical character, I think everyone will be heartily sick of her quite soon. Some humor, personality, eccentricity, etc, might help alleviate that. Otherwise, the concept as it's been developes so far sounds great. 80.178.83.109 07:02, 20 Apr 2005 (UTC) [ edit ] Kiki is a nude model The kids just showed me the [ article about Alice Prin on the english wikipedia, which they found by typing Kiki into the search box. Apparently she was a 14 year old nude model, and famous for being photographed by Man Ray, etc... I'm wondering if "Kiki" is an appropriate name after all? User:Pedant Oh, that's not great. I liked the name Kiki, but we should maybe look for something else. -- user:zanimum Umm... thats not good. At the very least, we have to delete that redirect. It would solve the problem of turning off boys though... Err, bad idea! -- KinkoBlast 00:06, 24 Feb 2005 (UTC) Kiki is a totally normal girls name in Germany. But the word can also mean "fun stuff". So, this would be a great name. -- 80.171.72.182 12:43, 11 November 2005 (UTC) [ edit ] How about Niki? Is that an okay name for an Hawaiian girl? [1] [2] — Jeandré , 2005-03-19t13:20z Anyone not in favour of "Niki", "Nikki", or "Nicki", say now or forever hold your peace. -- user:zanimum (I think those links refer to a Chinese woman, based on the last name. Really, anyone can be named anything in this day and age, so any name will go with any culture.) The first two hits for Nikki on Wikipedia search are Nikki Nova and Nikki Park, two adult film actresses. – Andre ( talk ) 23:19, 25 Apr 2005 (UTC) Gah! Is Niki okay then? They're going to have their own seperate encyclopedia, once we get the ball rolling. They'd know Nikki/Niki was fake, and not expect to find an encyclopedia article on her in the full adult Wikipedia. -- user:zanimum We can dig up dirt on any name. notthe9 00:23, 12 July 2005 (UTC) We can do it the other way, first search on Wikipedia for people good for children and whose name is not trademarked, and then we could choose a name for the girl. DrJones 09:46, 12 July 2005 (UTC) I think that whatever catchy-sounding kids name you come up with will already be taken by a porn star (they seem to pick their names by much the same characteristics). I really don't think Kiki's that bad. The Wikijunior readers are not going to throw themselves into a life of sin because a cartoon character from one of their educational books has the same name as an early 19th-century woman who did nude modeling for artists. No name is clear if that sort of thing is too much. Kiki is a great name, with a good meaning to boot. We shouldn't let one silly little reference to Parisian subculture get us down. Besides, if Kiki does become a cultural icon, she'll have a wikipedia article too. :) I did some sketches a couple of months ago. I'll see if I can find them and get them scanned. Risk 19:50, 17 August 2005 (UTC) In Spain, Kiki is one of the names of the vagina. That's why en:Kiki's Delivery Service was changed to Niki in the spanish version. So, I would say it is more than a silly reference to Parisian subculture. I was thinking more in Sarah (or Sally) as a more fitting name for the character. DrJones 10:05, 18 August 2005 (UTC) Ah, that's a bit more serious. We could choose one or two names and have every version (language/culture) of WikiJunior choose their prefered version. With our luck, Sarah will turn out to Russian for fecal matter. :) Risk 12:45, 18 August 2005 (UTC) No, Sarah's not fecal matter, just a street name for cocaine. The name Sally's short for Salvation Army, which could be associated with poorness, the modern stereotype of the Hawaiian is that they're poor. Also, to Sally is to make a sudden attack on an enemy from a defended position. Alternatively, it's also "To make a quick and witty statement or quip", which is actually quite cool. I think Risk's right, it would be easier to just alternate between two names. Every dubbed show does it, even Sesame Street . I'd hate to have to name a real-life baby, must be so stressful. -- user:zanimum How about Lola, Sandra, Reera, Ella or Faro. [ edit ] What about 2 characters? Probably going to cause more confusion than I would like, but if the idea of a Dora-type character being demeaning to older, smarter kids is a problem, how about one character aimed at pointing younger kids towards stuff of interest to them, and a slightly older kid pointing older/smarter kids at stuff which would be of use to them??? Laid out properly, that would prove to be a very useful little signposting tool for the readers. One of each sex, obviously, say Niki for the girl and something like Nolan for the boy. I will work on designs and post a couple up somewhere on here. Tmalmjursson 05:16, 15 January 2006 (UTC) Talk with me [ edit ] Kiki Designs Wikijunior/Kiki character/Designs -- SV Resolution 13:11, 29 August 2005 (UTC) Retrieved from " http://meta.wikimedia.org/wiki/Wikijunior/Kiki_character " Category : Wikijunior Views content page Discussion Edit History Personal tools Log in / create account Navigation Main Page Goings-on Wikimedia News Recent changes Random page Help Donations Search Toolbox What links here Related changes Upload file Special pages Printable version Permalink This page was last modified 05:16, 15 January 2006. Content is available under GNU Free Documentation License . Privacy policy About Meta Disclaimers

Maui hotel resort &

Maui Hotel*Maui Hawaii Hotel Vacations*Hawaii Vacations*Maui Vacations*Hawaii Luxury Resort Hotel Maui Hotel & Hawaii Vacations * Maui hotel resort & spa offers luxury vacations in Maui, Hawaii. Maui coast hotel is perfect for weddings & honeymoon vacations. Luxury Maui Hotel & Spa At the end of the Hana Highway, on the lush eastern coast of Maui, is the legendary AAA Four Diamond Hotel Hana-Maui and Honua Spa, where tranquility is a way of life. This luxury resort has long been known as a favorite Hawaiian vacation retreat for generations of travelers seeking a serene and enchanting escape. Hana is the perfect location for honeymoons, romantic getaways, and small weddings. The Resort reflects a wonderful blend of Hawaiian heritage and the unspoiled natural beauty that makes Hana such a special place. Luxury accommodations include spacious, bungalow-style Bay Cottage Suites with patios and romantic, plantation-style Sea Ranch cottages that offer dramatic ocean and mountain views. Honua Spa Condé Nast Johansen's Most Excellent Spa Hotel in the USA May 1 - 6, 2006 Visions of Paradise Photography Seminar with Robert Glenn Ketchum Located on an acre of landscaped grounds, the intimate Honua Spa takes advantage of the spectacular views of Hana Bay. Here, guests can enjoy the ultimate in nurturing with massage, facials, and body treatments. The spa features steam rooms, cold plunge, aquatic therapy pool, lava rock whirlpool and more. Enjoy horseback riding along the Hana coast, complimentary daily yoga classes, tennis, snorkeling, Hawaiian cultural activities, or relaxing at nearby Hamoa Beach -- described by James Michener as "the most perfect crescent beach in the Pacific." Hotel Hana-Maui is the Hawaii hotel that you have always dreamed about. You will experience time slowing down and the rejuvenation of your soul in an unspoiled Hawaiian paradise. Book your Hawaiian holiday online now. Charter flights are available on Air Links! About Us : Contact Us : Sister Resorts : Awards : Media : Travel Agents : Guest Comments : Links : Mailing List Maui Hawaii Hotel & Hawaii Vacations Summary: Travel to Maui, Hawaii and visit Mauis award-winning luxury hotel, Hotel Hana-Maui at Hana Ranch. The Maui hotel is located at the end of the Hana Highway and is considered one for the top 10 most beautiful drives in North America. Find luxury Maui accommodations with our loving restored resort hotel featuring an eclectic mix of Hawaiian history and cultures. Maui accommodations include the Plantation House, which is a great location for weddings and small meetings, the Sea Ranch Cottages, which are duplex style on an ocean bluff, and the Bay Cottages, with some overlooking Hana Bay. Maui coast hotel. Our 4 star resort offers luxury accommodations perfect for Maui weddings, honeymoons, and luxury spa resort vacations. Honua Spa Maui - Hawaii wellness vacations. If youre looking for a wellness vacation, come and be pampered at the new Maui hotel spa - Honua Spa. Voted Hawaiis best new spa by Luxury Spa Finder Magazine. Enjoy a luxury spa vacation with wonderful spa therapies. Our Maui hotel also offers Hawaii vacation spa packages and deals including the Wellness Escape Spa Package. Hotel Hana Maui features many wonderful amenities. Dine at the Hotel Hana Maui Ka'uiki restaurant and enjoy a tantalizing blend of Pacific Island and regional Maui cuisine. The menu features fresh fish from the Hawaiian waters and locally grown produce from the island of Maui. Enjoy activities on your Maui vacation like sunning and playing at Hamoa Beach, horseback riding, jeep tours, hiking, and Maui snorkeling. Find the best Maui vacations, Hawaii vacations, and Hawaii vacation packages. Find luxury lodging in Hana, Maui, Hawaii. Book Maui hotels. Find Maui accommodations booking. Come and visit us at the end of the Hana Highway and enjoy a luxury 4 star resort vacation in the paradise that is Hana, Maui, Hawaii. FREE counter and Web statistics from sitetracker.com

Hawaiian Music - A

SURFING FOR LIFE -- Hawaiian Music & Hula Hawaiian Culture: 3 pages [ Previous page ] [ 1 ] [2 ] [ 3 ] [ Next page ] Hawaiian Music - A Brief History Hawaiian music is a unique blend of several early influences from abroad with ethnic Hawaiian chants. It has spawned the adaptation of guitar to several distinctly Hawaiian sounds and styles, notably slack key and steel guitar. This singular Hawaiian blend has given birth to such world-class musical talents as Gabby Pahinui, The Tau Moe Family, and The Sons of Hawai'i, who have all helped spread the Hawaiian sound and culture throughout the world. All of these great musicians are featured on the sound track of SURFING FOR LIFE which includes 17 songs of Hawaiian music. The general history of Hawaiian music begins in the mid 1800s, when visitors from all over the planet came by sea to Hawai'i, bringing with them instruments such as the violin, guitar, ukulele, piano, accordion and flute. Hawaiian music was rooted in old religious chants and hymns, which the native Hawaiians then mixed with the musical rhythms, sounds and instruments they heard from international visitors, immigrants and missionaries. Secular music was influenced by a variety of people including those of Mexican, Italian, German and Burmese descent. When early Mexican cowboys ( paniolo ), then still under Spanish rule, came to Hawai'i in the mid-1800s, they brought their guitars with them and taught the Hawaiians to play them in the Spanish style. The Hawaiians had innate musical talent and many became quite interested in the guitar. They largely followed the paniolo lead in guitar style and tuning. But, the Hawaiians soon adapted the tuning of the guitar to suit their own traditional Hawaiian songs and chants, loosening the guitar strings or "slacking" them. This allowed them to play bass on the loosened bass strings while playing a song's melody on the treble strings. They played a finger picking style with a steady rhythm to accompany singing and hula dancing. The slack key guitar method became so popular that families began developing their own unique styles and were very protective of their string tuning secrets. For this reason the slack key guitar style wasn't openly shared or taught within the islands for a considerable time. Ki ho' alu , or slack key has been called Hawai'i's back porch music, folk music and soul music. Its beautiful rhythms and magical way of capturing the aloha spirit are now taking international center stage. Slack key guitar -- melodious, intimate and relaxing -- is a sound now being sought the world over. Slack key festivals are popping up all over the Mainland and in many countries including Japan. Hawaiian music is also distinguished by its steel guitar style which was invented and developed in Hawai'i, largely by accident. In adapting the guitar to suit their own musical styles, Hawaiians often used a steel object and later a crafted steel bar to slide along the strings, producing a unique tone which was then integrated into the developing Hawaiian sound. The exact origins of the style and its technical inventor are widely debated; but three individuals -- Hoa, Davion and Kekuku -- may have discovered the technique independently of one another and are credited as its inventors. The steel guitar was featured in several Hawaiian bands in the early 1900s, as well as on some of the earliest recordings of Hawaiian music. Above, Hawaiian Youth, 1920 The popularization of Hawaiian music around the world began in the last quarter of the 19th century, mainly through the publishing of many of Queen Liliuokalani's songs in the United States. The early Royal Hawaiian Band played the first Hawaiian hit song, Aloha Oe , (composed by the Queen) in San Francisco in 1883. Hawaiian King Kalakaua, known as the Merry Monarch for his love of music and hula dancing, was also a skilled musician and prolific composer. Starting in 1915, the American populace was swept up in a craze over everything Hawaiian, prompted by the publicity over the traveling Hawaiian troubadours and their exotic and romantic island images. In particular, the Panama-Pacific International Exposition of 1915, taking place in San Francisco, served to introduce the unique Hawaiian sound to the world. Major recording and touring by Hawaiian bands began very shortly thereafter. Among the numerous musical influences on Hawaiian music as it evolved were gospel music, American pop such as Stephen Foster, country and western, ragtime, swing, European light opera, and jazz. The Hawaiian eclectic genius was to blend all of these international influences with their own sophisticated rhythms and guitar stylings, and to make the mix uniquely their own. After its introduction in the United States and Canada, Hawaiian music found its way to Europe during the early 1900s. The music combined slack-key and steel guitar with prominent use of the ukulele mixed with traditional Hawaiian chants and tones, The Mainland home of Hawaiian music in the '20 and '30s was the Lexington Hotel Lounge in New York, ruled by Hawaiian band leader Ray Kenney. There were many Hawaiian musical troupes touring the U.S. and Europe in the first three decades of the 20th century. One of the most popular, Jenny Wilson and her troupe of hula dancers, performed in Germany and throughout Europe. Prominent among the ambassadors of Hawaiian music in the 1920s and '30s was The Tau Moe Family which had considerable influence on the evolution of early Hawaiian music. Tau Moe, his wife and two children traveled the world in the 1920s and beyond, showcasing Hawaiian music and culture as "The Aloha Four". The group was one of the first to tour Europe during the Hawaiian cultural expansion, and for many years the family of four played in Europe, India and Asia. Queen Liliuokalani and King Kalakaua Tau Moe's life of music began as a child in Samoa. Travelling with his father, a Mormon missionary who set up churches and taught music, Tau learned his love of music from his father. When Tau was 11, his father moved the family to Hawai'i, and it was there that he was introduced to the musical styles he would grow to love and then showcase around the world. In Hawai'i, Tau Moe learned the steel guitar from M.K. Moke. He soon met another steel guitar player, Rose, who was to become his wife. The two joined a travelling show and began showcasing their musical talents. They couple had their first child, Lani, in Japan, and she too joined the family act that would come to be known, with the birth of son, Dorian, as the "Aloha Four." During the 1920s, Hawaiian music was sweeping the world with its own lilting and melodic sound. At the height of their popularity, Tau Moe and his family played for numerous world leaders in Germany, in Paris, Brussels and Japan, mesmerizing foreign audiences. They worked with a circus troupe, toured with the Josephine Baker show to Venice and played steel guitar music to an eager audience in Egypt. They also were profiled frequently in the press. The Tau Moe Family in 1970, Coutesy, Bishop Museum Years later, Tau and Rose retired, but not before leaving an indelible mark on the history of Hawaiian music, as one of the earliest musical forces to bring Hawaiian culture to international audiences. The Rounder Records CD, The Tau Moe Family with Bob Brozman, re-recorded many of the Tau Moe songs of the '20s and '30s with the original instrumentation. Two tracks from this CD, He Aloha No A Honolulu and Aloha Means I Love You , are on the sound track of SURFING FOR LIFE. Tau Moe Cover, Courtesy Rounder Records One of the greatest influences in spreading the gospel of Hawaiian music and steel guitar was the immensely popular radio program, Hawai'i Calls , rated the most popular program in radio history. Originating on July 3, 1935 from the Moana Hotel on Waikiki Beach, it featured the Harry Owens' dance orchestra with Webley Edwards as producer and Master of Ceremonies. The show's purpose was to showcase real Hawaiian music performed by Hawaiians in Hawai'i. A good portion of the songs were sung in English so mainlanders could recognize and learn to sing them. This created the hybrid style known as hapa-haole , Hawaiian music with English lyrics. At its peak in 1952, Hawai'i Calls was broadcast to 750 stations in the U.S., Canada, Latin America, Europe, Korea, Japan, South Africa, Australia and New Zealand. The show popularized a number of songs during its heyday including Sweet Leilani , The Hawaiian Wedding Song , and Little Brown Gal . The American craze over Hawaiian music began to fade in the late 1950s and '60s as other new music styles (especially rock and roll) took hold on the Mainland. But by the early '70s, Hawaiian music began to return to the mainstream and gained significant recognition and respect through the work of some of Hawaii's finest musicians, who spawned a revival of traditional Hawaiian music and also introduced newer styles. These great musicians, such as Gabby Pahinui, Eddie Kamae and The Sons of Hawai'i, have imprinted Hawaiian music on the world scene as much more than a trend. The music -- beautiful, distinctive and long-lasting -- represents the tonal and rhythmic expression of aloha. Hawai'i Calls Radio Performers, with Hilo Hattie in the Hat. Courtesy Hawai'i State Archive Charles Philip (Gabby) Pahinui was born in Honolulu in 1921. Hailed as "the folk hero of the Hawaiian music world," Gabby spent over 40 years playing in cafes, restaurants and nightclubs. Later, he spent another ten years focusing on studio albums and concerts. His long career created a large and extremely loyal following who regarded him as the quintessential Hawaiian musician and a revered representative of the Hawaiian people and culture. To many, Gabby Pahinui is synonymous with the resurgence of Hawaiian music. Interestingly, the great Hawaiian musician didn't like Hawaiian music as a boy. Growing up, Gabby was a fan of classic American jazz which greatly influenced his music over the years. As a boy, Gabby was a child musical genius. He was self-taught and never learned to read music. He learned to play the stand-up bass at age ten and started playing gigs as a child. Much to his parents dismay, he preferred to listen to his favorite jazz artists -- Benny Goodman, Duke Ellington, Lionel Hampton and others. Gabby learned to play many of the jazz harmonies of the time and especially liked "modern jazz." Although the influences of jazz are evident in Gabby's music, he was Hawaiian to the core. Gabby gained fame through his melding of jazz with traditional Hawaiian music and the slack key guitar. He first began playing slack key guitar in the early '40s and recorded Hi'ilawe , his first hit, in 1947. He learned his slack key from a Hawaiian musician named Herman, and has referred to him as the greatest slack key musician he had ever seen. Gabby picked up slack key guitar and made it his own, incorporating his favorite jazz rhythms and beats. Over the course of his lifetime, he was a major force in bringing slack key, previously a non-taught technique kept within the 'ohana or extended family, out into the open and to a very wide audience. Gabby Pahinui Gabby's amazing slack key talent overshadowed the fact that was also a highly skilled steel guitar player. In addition, his superb guitar playing was matched by his extraordinary vocal prowess. He had a lovely, unique falsetto voice that had enormous appeal to his audiences. Musical talent aside, Gabby was beloved by Hawaiians and musicians alike for his raucous personality, his infectious vitality and the way he put his soul into his music. It is often repeated that Gabby was unique in projecting a great power within his music. From the time he played his first gig, musicians have recognized in Gabby a distinct natural talent and the ability to live and breathe his music as a set of personal convictions. His talent was so impressive that it obscured his sometimes ostentatious behavior. As a young man, Gabby often infuriated club owners by his behavior during the gigs he played. He was continuously irresponsible, he had a drinking problem for years, and was a poor money manager. But he enjoyed a joyful and vivacious life that led him to be adored by almost everyone who met him. Club owners, no matter how annoyed they were by his behavior, could not dispute that Gabby had an incredible natural talent, even as a very young performer. Gabby's club circuit spanned almost 40 years during which he played with almost every important local musician -- Eddie Spencer, Andy Cummings, Tommy Carter, Joe Kaimi, George Kainapau, Gigi Royce, Alvin Isaacs, Eddie Kamae, David Nale, Fred Punahoa, and Abraham Maenwa. During the 1940s and '50s, Gabby spent a long time playing with Andy Cummings and his Hawaiian Serenaders. In the mid-sixties he began to concentrate on recording albums and concerts. In 1959, he joined Eddie Kamae in founding the highly influential group, The Sons of Hawai'i and continued to pursue solo slack-key guitar recordings. The Sons then recorded two great albums in the '60s. Gabby Pahinui on Left with Bandleader Andy Cummings at Far Right In 1971, Gabby recorded a blockbuster album with The Sons of Hawai'i on Panini Records. The album was released at an important point when Hawaiian music and culture were gaining momentum and its wide distribution put Gabby (and The Sons) right into the spotlight of the Hawaiian music renaissance. The two tracks from this milestone album on the SURFING FOR LIFE sound track are Ku'u Pete written by Irmgard F. Aluli and Mary Kawena Pukui and Hanohono Hawai'i . Gabby began playing more concerts, drawing larger crowds, the likes of which had only been seen at rock concerts. Gabby's contribution to the cultural renaissance of Hawaiian was enormous. After his last album with The Sons of Hawai'i, Gabby made an album of his own with his four sons called "Rabbit Island Music Festival." A few years later, he recorded "The Gabby Pahinui New Hawaiian Band" with mainland guitarist Ry Cooder who has said that Gabby was perhaps the finest guitar player he had ever met in his life. Gabby joined Cooder in recording another album, "Chicken Skin," notable for its worldwide release by Warner Brothers. In 1977, Gabby released another album, "Gabby Pahinui's Hawaiian Band, Vol 2" that was widely hailed as a milestone in Hawaiian music. The Sons of Hawai'i Cover In 1980, Gabby died at age 59. He had arrived home in the morning after staying out all night drinking and playing music with friends. He was playing golf with musician Andy Cummings when he collapsed on the 11th hole. The next day, all of Hawai'i mourned his death at Honolulu Hale. Musicians, fans and thousands of friends mourned this unique man who had changed the face of Hawaiian music. Gabby Pahinui has been the most important force in contemporary Hawaiian music to date. The Sons of Hawai'i, who recorded their first albun in 1962, represents a cross-section of Hawaii's greatest musicians. The group was formed by Gabby and Eddie Kamae, the islands finest ukelele player, and originally included David "Feet" Rogers on steel guitar, and Joe Marshall on bass. Each of these musicians brought with him a lifelong love of music and considerable musical expertise and experience. The group spent four months together collaborating, sharing their ideas, rehearsing and trying to develop a sound that would express a group identity. In 1960, the group's sound began to gain widespread popularity when they opened at The Sandbox in Honolulu and after the release of their first album in 1962. (Hula Records 503). The Sons of Hawai'i. Left to right: Joe Marshall, Dennis Kamakahi, Eddie Kamae, David "Feet" Rogers Despite its rapid success, the group would go through seven evolutions, as members came and went through the years with each new member bringing distinct musical sounds and talents to the group. Gabby and Joe Marshall played with other groups. The second incarnation of The Sons came together in the mid '60s, this time Kamae, Gabby, and Rogers welcomed new members-- Atta Isaacs, a slack key artist; Bobby Larson, and Norma Isaacs on Bass. Later, a third version of the group included Kamae, Marshall, Rogers, Sonny Chillingworth and Zulu. In 1970, the group reassembled to record another album, this time with Moe Keale, another ukulele player. This landmark album, The Sons of Hawai'i, was marked by a very distinctive sound, was wildly popular and is considered a classic. Between 1973 and 1982, The Sons underwent three more incarnations. In 1973, Dennis Kamakahi, a recognized Hawaiian singer and songwriter, joined in. Gabby did not take part. In 1977, Keale left the group, and in 1982 guitarists George Kuo and Raymond Balles joined forces. Rogers had fallen sick with Cancer. Since 1992, Kamae had divided his time between music and a career making documentary films focused on Hawaiian music and culture. But the group he founded and leads, The Sons of Hawai'i continues to perform their wonderful music and to ensure their lasting mark on Hawaiian music and the world. For over 40 years, The Sons have popularized the slack-key and steel guitar sounds and have creating many classic Hawaiian songs, an eloquent and beautiful tribute to the Hawaiian culture and language. Hawaiian musicians, notably Gabby Pahinui, Tao Moe, the Sons of Hawai'i, helped transform Hawaiian music and its unique styles from a music closely guarded by families (the 'ohana) to one which was openly shared by Hawaiians with the world. Styles that had been passed on from father to son were embraced on the Mainland when audiences were thrilled by Hawai'i's most talented musicians. Hawaiian musicians have also adapted other musical styles to fit into what is uniquely Hawaiian, continuing the eternal evolution of the music. The popularity of slack key and steel guitar has continued in recent years as an integral part of an island movement to explore and restore traditional Hawaiian culture to its people. Eddie Kamae One of the most lasting contributions that Hawaiian music has made to the world lies precisely in its adaptability and its openness to the influences of other styles of music. Just as early Hawaiians took foreign sounds and instruments and made them their own, Hawai'i's most famous musicians have also enjoyed the freedom to explore dissimilar musical influences and make a mark for themselves in musical history. Hawaiian music continues to be an evolutionary art form, a blend of old and new Hawai'i that has left its uniquely beautiful, melodious and heart-felt imprint on world music. Other Hawaiian Musicians, Record Companies Backyard Jam There are so many excellent Hawaiian musicans who deserve to be recognized in this history. Due to lack of space, we would simply like to thank and recognize the musicians whose music was featured on the sound track for SURFING FOR LIFE. The songs and musicians include Ku'u Kika Hahiki by Ozzie Kotani, Pu'u Anahula by Dennis Kamakahi, George Kuo and Cyril Pahinui of the Hawaiian Slack Key Band, Charmarita , Maunaloa Blues and Pahakulo by George Kuo, Kohala by Moses Kahumoku, Punahele by Ray Kane, and Kona Kai Opua , Haha Waipi'o , Nanca (NANEA) Ko Maka, He Aloha No O performed by The Malle Serenader (featuring Gabby Pahinui and "Feet" Rogers). Four record companies licensed this beautiful Hawaiian music for our use in SURFING FOR LIFE. Three of the labels have specialized in Hawaiian music, and we want to honor their work in recording and distributing so much fine music from the Islands of Aloha. Here are brief histories of Hula Records (now Hawai'i Calls), Panini Records and Dancing Cat Records. PANINI RECORDS, INC. Panini Records has been recording Hawaii's finest music for over 30 years. It was founded by Lawrence Brown, Witt Shingle, and Steve Siegfried in 1971. The Label's first release was the milestone record, The Sons of Hawai'i, which achieved enormous recognition and a large new audience for Hawaiian Music. Panini Records also recorded slack key guitar great Gabby Pahinui. The Label's second album, released in 1972, was made with Gabby Pahinui and entitled Gabby. The album featured Gabby, and his sons Bla, Phil, Cyril and Martin Pahinui in a focus on slack-key guitar and strong vocals. A year later, Gabby recorded Rabbit Island Music Festival with Panini, this time he and his sons were joined by Sonny Chillingworth, Leland Isaacs, and Randy Lorenzo. Panini released an album recorded by Pahinui in conjunction with Sunday Manoa, a group comprised of Peter Moon, Roland, and Robert Cazimero. The album, entitled Sunday Manoa 3 , featured the song Hawaiian Lullaby . In 1974, Panini released a live recording of some of Hawaii's greatest musicians at a concert in Waimea. The album featured Gabby, Sonny Chillingworth, Leland Isaacs, Genoa Keawe, Peter Moon, Roland, and Robert Cazimero. During 1975 Panini recorded the famous Gabby Pahinui Hawaiian Band with Gabby's group and Ry Cooder. The historic album produced was called the finest collection of Hawaiian music to date. The album, distributed worldwide through Warner Brothers, was highly successful. Panini recorded several albums of Peter Moon's music, notably Tropical Storm , an award winning album featuring Randy Lorenzo, Cyril Pahinui and Boddy Hall and including the hit song Island Love . Moon also recorded Malle , a more traditional arrangement of Hawaiian songs. Between 1982 and 1991, Panini was mostly inactive, emerging in 1991 to record The Pahinui Brothers album with Gabby Pahinui's sons. The album featured Ry Cooder, David Lindley and Jim Keltner and became a wonderful compilation of slack key, rock and country, and was distributed worldwide by BMG Music. Panini Records has continued to be an essential element in the distribution of classic, traditional Hawaiian music to the world HULA RECORDS Hula Records has the oldest and largest catalog of Hawaiian Music in the industry and has been dedicated to distributing Hawaiian music to the world since 1947. Founded by Donald McDiarmid, Sr. and carried on by son and grandson, the company is now named Hawai'i Calls Inc. for the first radio show of the same name broadcast in Waikiki in 1935. The first Hawai'i Calls show was created and hosted by Webley Edwards and showcased top Hawaiian musicians. At its peak, the show could be heard on over 700 radio stations in North America and internationally in New Zealand, Mexico, South America, and South Africa. The most popular radio show in history, it popularized a number of shows during its heyday including Sweet Leilani , The Hawaiian Wedding Song , and Little Brown Gal . Hawai'i Calls continues to promote Hawaiian music around the world, and distributes recordings of many of the musicians that have contributed to the SURFING FOR LIFE soundtrack. Among the great Hawaiian musicians recorded on the Hula Records label are: Gabby Pahinui, The Sunday Manoa, The Sons of Hawai'I, The Maile Serendaders, Mahi Beamer, The Kahauanu Lake Trio, Kawai Cockett, Geneo Keawe and Alfred Apaka DANCING CAT RECORDS Dancing Cat Records was founded in 1983 by pianist George Winston with the goal of promoting the music of those who had inspired him. After releasing some albums of his favorite musicians, he decided to focus instead on the music of the Hawaiian slack key guitar. Winston had been a student of the slack key guitar for over twenty years and became dedicated to preserving it. He focused Dancing Cat's resources on producing recordings of traditional slack key guitar masters, and then later, on younger players. Dancing Cat has been distributing Hawaiian music to the continental United States and the world ever since. Since its inception, Dancing Cat Records has produced 25 recordings in the ongoing Hawaiian Slack Key Guitar Masters series. Recorded guitarists include Sonny Chillingworth, Barney Isaacs, Ledward Kaapana, Moses Kahumoku, George Kahumoku, Leonard Kwan, Dennis Kamakahi, James Bla Pahinui, Ray Kane, and Cyril Pahinui among others. Dancing Cat Records has been successful in reaching a large number of people across the U.S. and around the world through artist interviews and recording reviews. Dancing Cat artists have appeared on The Today Show, The Disney Channel, ABC News in Philadelphia, Bay TV in San Francisco, NBC News in Seattle, and NPRs All Things Considered. Founder George Winston was also featured in a PBS concert special in December of 1996 in which he played a duet with Keola Beamer and Chet Atkins. Dancing Cat compiled a CD entitled The Language of Dreams devised solely to educate people across the country and the music industry in general about Hawaiian Music and the slack key guitar. The CD includes interviews with George Winston and Keola Beamer, Sonny Chillingworth, Ray Kane, Cyril Pahinui, and others and was aired promoted to over 1,300 radio stations across the country. Hawaiian Culture: 3 pages [ Previous page ] [ 1 ] [2 ] [ 3 ] [ Next page ] Ray Kane